Death Vallée is a compulsive photographer, obsessive, sick and anxious. Self-taught, he presents his work as a diary for years on his blog: www.deathvallee.com
For his first book, he gives us a graphic novel, a letter to a loved one who is missing. A story that happens to us all: "A letter to a friend”.
Hardcover; 15cm x 21cm
offset print (printed and bound in the EU)
Text: English / FrenchUSD$14.95
96 pages, hardcover- Photojournalist Alex MacNaughton continues to traverse London's streets looking for the best graffiti. His first collection of photographs was eagerly snatched up by graffiti enthusiasts. Now featuring 150 new images, his latest book is full of color and life. Political, funny, angry, or just plain weird; in stencil or spray paint, the images here present a London simmering with artistic passion. The book opens with a map of MacNaughton's travels in London, detailing his quest for the perfect piece of street art. Following are page after page of riotous color photographs, bearing witness to the skill and talent possessed by the artists who practice it. This great looking, affordable volume provides a lasting record of this most fleeting of art forms.USD$14.95
Once, the spraycan kings of New York's subways astounded the world with their exuberant graffiti images. Now a new generation of artists has hit the streets and is decorating neighbourhood walls with memorials to the tragic and untimely deaths of friends and loved ones. R.I.P. - assembling the very best of a vibrant street art wave - contains colour photographs of memorials from Harlem and the Lower East Side, the South Bronx and Brooklyn, as well as the moving stories behind them. The victims of shootings, accidents, arguments, police killings and drug-related turf wars may be gone, but thanks to these paintings they are not forgotten: for a violent and indifferent city has also spawned a rich urban art form.
- Series: Street Graphics / Street Art
- Paperback: 96 pages
- Publisher: Thames & Hudson (April 1, 2002)
- Language: English
- ISBN-10: 0500277761
- ISBN-13: 978-0500277768
- Product Dimensions: 9.2 x 0.5 x 8 inches
The Brazil Diaries is an intimate look at the Perre twins aka How&Nosm, European graffiti artists and professional muralists residing in New York. There has been much interest in their new work. In times when a multitude of colors, techniques and effects tend to overcompensate for style, How&Nosm take the opposite approach.
125 pages, soft cover.USD$14.95
96 pages, hardcover- Over the past few years there has been a resurgence of interest in street art as a genre of artistic expression. Photographer Sven Zimmerman has been at the forefront of this renaissance, surveying the streets, sidewalks, and facades of his home town for the most arresting, humorous, politically savvy, angry, and just plain outrageous examples of street art. In with a fresh eye and to pay attention to images we might otherwise fail to notice. Similar in layout and design to the first collection, and graced with the same vibrant color and impeccable composition, Berlin Street Art 2 offers further compelling proof that the urban landscape is teeming with artistic masterpieces, if you just know how and where to find them.USD$14.95
The First Definitive Guide to Street Art. Every Established Medium. Every Existing Discipline. An immersive "How To" guide for Method Actors, Avatar Gamers, Creative Writers, Aspiring Street Artist and Everyone Else.
- Paperback: 160 pages
- Publisher: CreateSpace Independent Publishing Platform; 1 edition (April 3, 2018)
- Language: English
- ISBN-10: 1987409817
- ISBN-13: 978-1987409819
- Product Dimensions: 5.5 x 0.4 x 8.5 inches
Manufacturer's Suggested Retail Price USD$11.21USD$14.95
Jean-Michel Basquiat and his unique, collage-style paintings rocketed to fame in the 1980s as a cultural phenomenon unlike anything the art world had ever seen. But before that, he was a little boy who saw art everywhere: in poetry books and museums, in games and in the words that we speak, and in the pulsing energy of New York City. Now, award-winning illustrator Javaka Steptoe's vivid text and bold artwork echoing Basquiat's own introduce young readers to the powerful message that art doesn't always have to be neat or clean--and definitely not inside the lines--to be beautiful.USD$17.95
Featuring the very best in graffiti, art and culture from the crew that brought you the Also Known As Volume 1 and 1.5 books, KR – It’s All In My Head and Million Dollar Vandal.
Spotlights: Barry McGee, Os Gemeos, Todd James, Jeremy Dean (WOBF), Sacer IRAK, Desa, Crude Oiler, Coyo, Finok, SPone, Ket, Veefer and more.
– Double gatefold soft cover (matte laminate coating, chrome foil stamping, spot silver ink).
– 6 x 6.25 inches (15.25 cm x 15.875 cm).
– 96 full-color pages + spot silver ink.
– 6 assorted vinyl stickers.
– Sealed in custom foil packaging.
– ISBN: 978-0-9768516-8-4USD$19.00
128 pages, Paperback- London based artist Dave the Chimp was one of the first street artists who went outside to paint with brushes and acrylic paint. Since 1996 Dave has been extremely prolific in the streets and galleries and has channeled his talent and passion for skating toward designing skateboards for German Skateboard label Hessenmob.
His original style and bold black lines, all hand painted, are humorous, often incorporating lighthearted social commentary. He has painted public service announcements against smoking, “get out the vote” posters, and is often referred to as a “positive” graffiti artist who is just trying to bring a smile to his neighbor’s faces and some beauty to his run down neighborhood.
However humble his aspirations, Dave the Chimp has managed to have an impact around the world with his art. Included is an interview with the artist and many examples of his fine work on walls as well as graphic projects.
Dave the Chimp is the second publication in the Part of Rebellion Series, monographs focusing on artists from the groundbreaking Art of Rebellion and Art of Rebellion 2 first published in 2004.USD$19.95
The most visual book on early 1970s graffiti ever published. The authors were themselves artists and maintain long friendships with other artists, as well as photo archives of the time, on display in this one-of-a-kind book. Early 70s New York saw the growth of a new phenomenon. Key pioneers tell their own story. Eye-opening first-hand story accounts in pictures and text. The names names here have star status far beyond graffiti culture; without them, no Seen, no Banksy, no Revok. In this glimpse of a different New York, there is an invaluable picture of graffiti in the early, playful years. Essays and quotations by: Ale One, All Jive 161, Blade, Cay 161, Checker 170, Clyde, Death, FDT 56, Flint 707, Iz The Wiz, Jester 1, Joe 182, Lava, LSD OM, Mico, Pnut 2, Roger 1, Ski 168, Snake 1, Taki 183, Vamm Photos by: Alan Fleisher, Robert Browning, Bill Ray, Jack StewartUSD$19.95
128 pages, softcover. Third edition in this remarkably successful series is devoted to one of the greats of the Dutch and European street art scene, Erosie. Active since 1993, Erosie has developed a totally unique style that in his own words "...looks for parallels between and the nuances of the graffiti-codes, the illustrated image, commercial visual language and the traditions of art..." His goals are to use, confirm, deny or question these fields visually and/or conceptually in the quest to define his own personal visual language, which is a mixture of street art and pop art. He uses humor, mixes graffiti lettering with typography, challenges us with puns and wordplay and his illustrative style is a cross between Edward Gorey and Robert Crumb — think no further than the headless chicken or the two rappers, Jay-Z and Nas, battling it out in cartoon form.USD$19.95
128 pages, hardcover- Graffiti artists in Paris, much like in New York and Los Angeles, have transformed urban spaces (sidewalks, metro stations, staircases, abandoned buildings) into showrooms that exhibit their work in all of its many mediums, from a proliferation of stickers to cleverly applied stencils to giant murals. In Graffiti Paris, Fabienne takes readers on a tour of Paris's street art, and also discusses the variety of unique sources that inspire the artists, including the cave paintings at Lascaux, nineteenth-century Japanese blockprints, and comics.USD$19.95
Urban Art. Creating the Urban with Art was a conference at the Humboldt-Universität zu Berlin in 2016. The aim of the conference and this publication is to discuss “urban art” in its broadest sense: as an umbrella term, that encompasses a great variety of creative expressions in the urban environment on a global scale. The broad implications of the term “urban art” allow summarizing very different outcomes, styles, media, and techniques ranging from illegal graffiti writing to performative, participatory and architectonical interventions from stickers to legal murals and so forth. In this way urban art as a concept exceeds the common notion of commercial indoor street art and graffiti and enlarges the perception of the visual and unsanctioned forming of the public sphere. The 16 papers and 2 introductions from researchers of 10 different countries and disciplines are divided in five sections – 1) Public or Urban Art? On Terminology, 2) Digital Media & the Urban (Art), 3) Affect & Performance, 4) Territories and 5) Urban Imaginary & The City.USD$19.95
This book it has its direct origin on an international call for papers, issued by Pedro Costa and Paula Guerra, which aimed to give body to a publication on the thematic of creative milieus and cultural scenes in contemporary urban spaces. The organizers of that publication were surprised by the great quality and interest of the proposals for papers which were presented, even if many of them were not focused specifically and directly on the “creative milieus” and “urban scenes” approach they were looking for. Interestingly, many of the papers raised the issue of the relation between urban interventions (particularly street art approaches) and public space. That was so stimulating that the authors, drawing also upon previous work on that area, decided to give birth to another project, complementary to the edition of the original idea of book, which would be specifically focused on issues of urban interventions, street art and public space. For that, they joined Pedro Soares Neves, which have been working for years in the field of street art and urban interventions, is executive director of Urbancreativity international research topic on Graffiti, Street Art and Urban Creativity. The diversity of contributions put together in this book acknowledges the variety of debates and perspectives that mark contemporary discussions on the relation between art and public space, with particular reference to the case of graffiti and street art, which attracted most of the contributors that came from various disciplines and backgrounds.
- Paperback: 174 pages
- Publisher: Pedro Soares Neves (February 1, 2017)
- Language: English
- ISBN-10: 9899771260
- ISBN-13: 978-9899771260
- Product Dimensions: 8 x 0.4 x 10 inches
- Hardcover: 392 pages
- Publisher: Harry N. Abrams; 2 edition (Sept. 1 2009)
- Language: English
- Product Dimensions: 23.2 x 3.8 x 24.1 cm
On city street corners, around telephone posts, through barbed wire fences, and over abandoned cars, a quiet revolution is brewing. "Knit graffiti" is an international guerrilla movement that started underground and is now embraced by crochet and knitting artists of all ages, nationalities, and genders. Its practitioners create stunning works of art out of yarn, then "donate" them to public spaces as part of a covert plan for world yarn domination.
Yarn Bombing: The Art of Crochet and Knit Graffiti is the definitive guidebook to covert textile street art. This full-color DIY book features 20 kick-ass patterns that range from hanging shoes and knitted picture frames to balaclavas and gauntlets, teaching readers how to create fuzzy adornments for lonely street furniture. Along the way, it provides tips on how to be as stealthy as a ninja, demonstrates how to orchestrate a large-scale textile project, and offers revealing information necessary to design your own yarn graffiti tags. The book also includes interviews with members of the international community of textile artists and yarn bombers, and provides resources to help readers join the movement; it's also chock full of beautiful photographs and easy step-by-step instructions for knit and crochet installations and garments.
Join the yarn bombing revolution!
Includes 20-plus patterns and a foreword by Amy Singer, the editor of Knitty.com
- Paperback: 232 pages
- Language: English
- Product Dimensions: 22.6 x 1.8 x 20.6 cm
Written by best-selling author and hand letterer Abbey Sy, The Complete Photo Guide to Hand Lettering and Calligraphy covers the basics and beyond for creative lettering techniques.
The book begins with an overview of tools and materials, both traditional (pointed pen and fountain pen) and modern (including brush markers and chalk), then presents a visual glossary of letterforms, highlights the unique characteristics of the featured alphabets, and demonstrates how to draw letterforms to foster an understanding of how they’re created. The core chapters explore traditional, modern, and special effects lettering using a variety of mark-making tools, with in-depth how-to on adding flourishes and other special details, plus creative projects. There’s also an introduction to modifying and creating letterforms digitally, as well as practice sheets for the featured alphabets.
So whether you’ve never tried lettering before or you’d like to develop your skills and consider all your creative options, The Complete Photo Guide to Hand Lettering and Calligraphy will guide and inspire you on your lettering journey.
- Paperback: 192 pages
- Language: English
- Product Dimensions: 8.4 x 0.6 x 11.1 inches
This Is Not a Photo Opportunity is a street-level, full-color showcase of some of Banksy’s most innovative pieces ever. Banksy, Britain’s now-legendary “guerilla” street artist, has painted the walls, streets, and bridges of towns and cities throughout the world. Once viewed as vandalism, Banksy’s work is now venerated, collected, and preserved. Over the course of a decade, Martin Bull has documented dozens of the most important and impressive works by the legendary political artist, most of which are no longer in existence.
Children of the Can: Bristol Street Art and Graffiti is the follow-up to 2008's hugely successful Children of the Can: 25 Years of Bristol Graffiti. What started out as a straightforward second edition quickly took on a life of its own and has grown into a new project. Since the initial publication of Children of the Can the Bristol graffiti scene has seen the emergence of many new artists and events, cementing Bristol's status as one of the UK and Europe's most influential cities in the street art movement.
With more than 60 added pages and more than 20 new artists and events Children of the Can: Bristol Graffiti and Street Art gives a comprehensive A- Z of some of the biggest names in Bristol graffiti. Including: 3D, Banksy, Cheo, China Mike, Filthy Luker, FLX, Haka, Inkie, Jeff Row, Jody, Lokey, Mr.Jago, Mudwig, Nick Walker, Rowdy, Sickboy, Soker, What Collective, Will Barras, The Z-Boys and many more
Author Felix 'FLX' Braun started writing graffiti in the mid-80s and grew up with the Bristol scene painting alongside the likes of Inkie and Nick Walker. He continues to live and paint in the city and has unrivalled access to the artists and their work. Here, they tell their stories in their own words. Many of the images in Children of the Can have never before been published and many have been provided from the artists' sketchbooks and private collections. The book is the definitive collection of Bristol graffiti, containing several hundred images.
Hardcover, 352 pages
128 pages, softcover- by Doze Green & David Ellis. Two of the most influential graffiti turned fine artists active today, New York City residents Doze Green and David Ellis fuse the true meaning of hip-hop with contemporary art styles to create a hybrid of visual sounds that are truly unique and original. In their collaborative book and project, Shaft, each artist takes their trademark styles and characters and interconnects both elements on a site-specific project upon an elevator shaft. The results epitomize the roots of hip-hop and both artists reflect the 21st century urban landscape.The 128-page book comes with a pull-out poster that captures the entirety of the shaft project.
128 pages, hardcover- Artist and author Caleb Neelon (SONIK) began his graffiti career like anyone else, but the Cambridge, Massachusetts native took a hard right and caught a flight out of town. Deliberately ignoring the obvious global centers of New York, Los Angeles, and London, Caleb painted subject matter close to his heart while making a street presence in places like Kathmandu, Sao Paulo, and Tegucigalpa. Across, around, and in between five continents, indoors and out, Caleb has pulled off some unique, colorful, and heartfelt work both alongside collaborators like Os Gemeos and Andrew Schoultz, as well as in streets where he is the first foreigner – let alone street painter – to wander in quite some time. Featuring heartfelt travel stories going beyond the artwork to the socio-political situations that surround them, as well as the large-scale gallery installations of Caleb’s from venues such as the Boston Center for the Arts, Caleb Neelon’s Book of Awesome provides an overview of the work of this diverse and distinctive artist.
176 pages with 200 color illustrations Hardcover- New York is a street art Mecca, boasting a vast outdoor gallery which encompasses walls, fences, sidewalks and just about any other available surface. Featured in this dynamic collection are approximately 200 images of works by exciting newcomers and old masters, including New Yorkers Swoon, Judith Supine, Dan Witz, Skewville, WK Interact, L.A.'s Shepard Fairey, Brazil's Os Gemeos, Denmark's Armsrock, France's Space Invader, C215, Mr. Brainwash, Germany's Herakut, London's Nick Walker and the infamous Banksy. A foreword by Carolina A. Miranda, author of the blog C-Monster.net, rounds out this compelling portrait of the state of urban art in one of its most important and supportive communities.
80 pages, paperback- In this handheld photo-essay featuring some of the imaginative creations of Turf One, Paul 107 presents a brief portrait of the artist in a collection of beautiful, full color photographs. Turfizm: The Selected Works of Jean ''Turf One'' Labourdette, focuses on some of the intricate so-called ''pop surrealist'' works that reflect Turf's acute attention to character detail, and an almost playful fascination with life and death. The Sun Shines In: A few days in the studio with Jean Labourdette, is a study of his creative process, offering a quiet look into the studio environment where most of these elaborate works are created over time. Since moving to Montreal from Paris in 2001, Jean ''Turf One'' Labourdette has become a quietly revered, internationally known talent, evolving from his graffiti-based roots into a skillful and dedicated multidisciplinary artist, currently concentrating on painting. This book is one of the many collaborations between Turf and writer/photographer Paul LabontÃ© and/or Paul 107, steeped in mutual respect and real friendship.
168 pages, Paperback. Sponsorship is a Ryan McGinness book documenting and expanding upon the ideas and images to arise from an exhibition staged at BLK/MKRT Gallery in Los Angeles in 2003. Sponsorship forwards an intense dialog amongst many of the artists central to the corporate sponsorship debate through a series of 19 interviews. Responses to McGinness' probing questions regarding accepting corporate backing for artistic endeavors and dealing with companies great and small run the gamut. Sponsorship features interviews with FUTURA, Barry McGee (TWIST), KAWS, Romon Yang (RO-STARR), DALEK, David Ellis (SKWERM), Brendan Fowler (BARR), Todd James (REAS), Christian Strike and essays by Carlo McCormick, Jacqui Millar, Steve Powers, Shepard Fairey, Adam Glickman and Rob Walker.
62 pages, hardcover- Olivier Stak discovered graffiti during a trip to London in 1987. He painted his first graff in 1988 in Paris with Colorz. From 1988 to 1994, he worked at defining his style, writing on the walls of major European cities. The founder of WorldSigns, a quarterly review devoted to the art of graffiti, Olivier Stak, is undeniably rooted in urban expression (tag and graff). In 1995 he converted his signature into a logo and began to work with a variety of materials ranging from neons to stickers. This book features a selection of interventions completed between 1988 and 2004 in the city or in galleries and just as graffiti has been erased, the majority of the works presented in this book no longer exist.
173 pages- A classic body of photographs, most never before seen in print, documenting New York graffiti's emergence. Presented full-frame, at high resolution, and with meticulous attention to the original color, this book brings to life the gritty, exciting New York of the early 1970s and the raw visual power of early graffiti. Sacha Jenkins, an authority on graffiti's history, puts these photographs in a broad historical context of an emerging youth culture that now reaches into every corner of art, fashion, and entertainment. At once nostalgic and inspirational, The Birth of Graffiti opens the way to a deeper appreciation of graffiti's historical and artistic significance.
64 pages, hardcover- The 9th Concept is a collective of young gifted artists who master modern graphic art technology while using a variety of possible materials. This volume presents the artworks created by the members of the collective for their exhibition, « Sang 9 » (translation from french: fresh blood). The exhibition developed from a central idea: to divert a banal French health insurance form in various stages with new creations by the Collective's founders and their guest artists : BigJul, Jerome, Cyril Fritsch, Alexone, Veenom, Romain, Citizen, Ankh. Each page reveals reproductions of their « bandages »printed as stickers which have contributed to the 9° Concept's fame both in the graffiti and graphic design worlds. Beside the obvious graphic quality of this work, it is also a remarkable testimony to the work of one of the most important graphic artists' collectives from this generation.
As the political and economical turmoil in Greece continues unabated, the city of Athens and its passenger rail system have been covered in graffiti by locals and traveling European and American writers. This volume, the fourth and biggest in our series of Euro graff books, documents illegal graffiti in Athens (including more than fifty cleantrain photos!).
Writers featured include, among many others, 1281, 1UP CREW, APER, AREES, BAMBOO, BUNES, DECA, DEMO, DEXA, ESEM, ETHER, FLUOR, FOLKS, GANS, GOFEY, GUES, HORFE, JICK, MIDAS, MIKS, MISS17, MOAR, MOSA, MOSES, MSER, NINO, OMICK, OPEN, OS GEMEOS, OTIS, PACES, RISOT, RUNS, SILENT, SNOEMAN, SPLID, STACE, TAPS, TARTA, TERA, TUNES, UTAH, WASE, YEABOI and YES2
116 pages, 9"x6", perfect-bound, full color, individually painted and stamped covers, hand-numbered edition of only 100 copies.
176 pages, paperback- At last, the most comprehensive book on London's street art yet published. Following hot on the heels of Prestel's hugely successful London Street Art and London Street Art 2 this volume brings together the very best images from those two books, together with over 80% completely new and stunning material photographed in London right up to the moment of printing in 2009. Home to arguably today's most famous street artist, Banksy, London's al fresco visual culture is vibrant and constantly changing - provocative street art images past and present reflect the creativity of a leading design capital. Through pictures by acclaimed photographer Alex MacNaughton this volume covers all materials and methods, from stencil graffiti, to spray paint and trompe-l'oeil, as well as highlighting the work of the major street artists themselves.
144 pages, flexicover- A young photographer explores the artistry and adventure that goes into the incredible graffiti of London's overground and underground trains. Some of the most outrageous graffiti art in the world barrels through the city of London in a blur of color. These moving canvases and the people who create the dubs or burners are the subject of an electrifying collection of images by photographer Jete Swami. As a teenager, he hung out in sidings and soon learned to paint trains, all the while taking photos and filming his friends-which he continues to do today. In revealing interviews with the photographer, these artists speak out about the joys and dangers of bombing and burning their tags, throw-ups and pieces on to London transport. In addition to vibrant reproductions of the works themselves are shots of the artists as they work under cover of night or scramble to avoid arrest. A unique collection of London's most dazzling high-speed train art, London Burners captures the intensity of this most urban of artistic expressions.
121 pages, paperback- Martha Cooper's photos take us through the Alphabet City of the late 70's as the area was about to undergo extensive urban renewal a process that is still continuing today. At the time, the neighborhood had more than its share of drug dealers and petty criminals, and the landscape seemed ugly and forbidding. But to the children who grew up there, the abandoned buildings and rubble-strewn lots made perfect playgrounds, providing raw materials and open space for unsupervised play. A crumbling tenement housed a secret clubhouse, rooftops became private aviaries, and a pile of trash might be a source for treasure.
144 pages. In just a few years, Swedish street art has boomed. Anonymous artists have been using the city as a playground, and its streets as their parliament. Street art raises questions, but once it reaches the audience, there are no answers. How does the urge to feel responsible for your immediate environs arise? Why are some expressions within street art more accepted than others? Why do so few women choose to work in public space? How is this art affected by advertising? Playground Sweden gives the answer through the accounts of 30 of Sweden's most interesting street artists. Playground Sweden is a travel report through text and image, abook on contemporary Swedish art that refuses to follow conventional rules. Richly illustrated with unique pictorial material that will show you not only the finished product, but also the creative process of street art.
88 pages, perfect bound B&W pages- A compilation of linocuts and drawing by Montreal artist Other, famous for his freight monikers. This book comes with a mini-CD by Sixtoo (Ninja Tunes). Limited edition of 1000 copies, with multicolored silkscreen outer sleeve.
After ten years of travelling with the finest graffiti artists and documenting their amazing works, Riky Kiwy, an italian photographer, self published his book Un Train Peut En Cacher Un Autre. 190 pages full of trainwritings, from whole trains to carts and pannels and with many unseen footage.
The softcover book also contains 6 amazing und cool stories from artists like Mundial, Lost Shoe aor Young Panda, among others. You'll never get so much insight in the exciting world of travelling in search for steel!
208 pages, hardcover- Urban Iran is a depiction of everyday life apart from international and diplomatic policies, giving voice to people living and working in Iran today while probing the complexities of contemporary Iran. Described and revealed by photographers, writers and visual artists, from street art to heavy metal bands and book publishing, Urban Iran documents how the Western media gaze influences how much of the world views Iran, but also how this gaze impacts how Iranians see themselves, especially in the realm of the creative arts. Novelist Salar Abdoh relays how his adventures driving a Puegot 206 hatchback in and around Tehran were emblematic of a ''split in the personality of the country . . . what makes Iran so difficult to describe to non-Iranians''; Tehran-based photographer and designer Karan Reshad offers images of markets and the country's burgeoning graffiti scene, most notably the work of A1ONE; articles from the magazine Bidoun delve into Tehran's largest housing complex, Iranian facial hair trends and the country's underground heavy metal scene; Charlotte Noruzi's personal stories about the effects of her childhood books remain with her today, resulting in her exploration of the current state of publishing and illustration in Iran today. Together, all of these parts form a whole, an intimate portrait that is insightful and visually diverse.
Morley is a Los Angeles-based street artist that specializes in bold, typographic posters which he wheat pastes within the urban landscape. Blending humor, hope and his unique perspective on life, Morley's aim is to act as a friendly voice amongst the cacophony of billboarded messages and corporate slogans. This voice was given a face when he began including an image of himself in each of his pieces, looking to create a more intimate relationship between the artist and the audience than many of his anonymous contemporaries could allow. In 2011, Morley's work caught the eye of Steve Lazarides whose Outsiders imprint began selling his work, describing it thusly: "His sympathetic statements give the tirelessly aspirational residents a welcome reminder of what's important in life: love, simple pleasures, making the world a slightly better place and not hating on yourself too much." Today, he continues to paste his work in any city that doesn't enforce their vandalism laws through caning. Also he made us promise to include the fact that he can hold his breath for over an hour, and that if anyone challenged him to a breath holding contest, they would totally lose - but he was probably lying about that.
- Hardcover: 224 pages
- Publisher: Cameron Books; First Edition edition (April 15, 2014)
- Language: English
- ISBN-10: 1937359581
- ISBN-13: 978-1937359584
- Product Dimensions: 8.9 x 1 x 11.4 inches
There are few artists that embody the intersection of street art and graffiti like KR. As a writer, his roots are firmly planted in vandalism, having spent years covering the streets of New York and San Francisco with tags, throw ups and rollers. But as an artist, he approached the game a little differently and began to blur the lines.
KR: All in my Head captures is visual diary; experiences that inspire KR and the art he produces, both legally and illegally. Curated and designed by KR, It’s All in My Head is a look directly into the mind of an artist, placing you alongside KR as it all goes down.
– Soft Cover.
– 8 x 10 inches.
– 144 Pages.
– Double gatefold cover with satin UV finish and chrome foil stamp.
– ISBN: 0-9768516-1-X
160 pages, 100% color- Malcolm Jacobson is a photographer who recorded Swedish graffiti since 1988. This book is essentially a document where hundreds of his pictures show the life and the work of several graffiti writers. The paintings were buffed a long time ago, but the pictures in this book and the stories behind the artworks keep them alive forever. An essential book.
Welcome to the Museum of Street Art (MoSA). Not within these pages, but while walking the streets, there is a chance you have been here before. The MoSA concept is intuitive, but you might not have noticed it unless you were looking for it.
A MoSA is a phenomenom that occurs when there is a high concentration of both art and local stakeholder support in a particular outdoor area. This combination creates living, breathing outdoor museums in our cities. Entry is free and daily exhibits are managed by the residents, landlords, local government, visitors, and mother nature. These stakeholders alter the exhibition every day with their competing opinions and priorities, which in turn creates one of the most dynamic and meritocratic museums in the world. MoSA explores this concept by photographing these museums in their entirety on one particular day, as a record and snapshot in time.
MoSA locations can be found in dozens of cities around the world, but in this edition, we explore the East Village in New York City on June 23, 2017. The East Village has a long history of supporting the arts and showcases a variety of mediums by a host of local and global artists. Read on to see exactly how we captured the exhibit.
All photographs were shot sequentially in 14 hours starting at 12 AM midnight on June 23, 2017. The area of interest covers 430 acres known as the East Village, located in Manhattan, New York. Its boundaries from West to East are from Bowery/4th Ave. to East River Park. Its boundaries North to South are from 14th St. to Houston St. The editor systematically canvassed this area by bicycle to capture each piece of art. "The Streets" began at Bowery and Houston and were traversed Northward in ascending order from Houston to 14th St. "The Avenues" began on Avenue D and Houston and were traversed Westward from Avenue D to Bowery/4th Ave.
233 pages, paperback.
This book does not intend to be anything more than a record of the classes thet Hern n Ordo ez has given over the last six years in the Basque Country. It contains many of the experimental proposals made between 2004 and 2010 in the Design and Typography classes and workshops, taking the reader to a journey through the processes, searched, objectives and achievements. Some of the projects have received prizes and honourable mentions from Signes, ADI-FAD and Laus; several of the projects were chosen by various publications, while others gave students the opportunity to undertake their first work experience at prestigious international studios such as Design Bridge in London and Guggenheim Museum Bilbao for which the author co-tutored the Corporate Identity for its 10th anniversary.
96 pages, softcover- Drago invited Jeremy Fish to come to Rome and create site-specific works. The results are in the book Rome-antic Delusions. The contents contain a Roman remix of Jeremy''s images, with an Italian touch added to his usual cast of characters, as his rich iconography has had a glass of prosecco and a plate of pasta.
650 pages, hardcover- New York and Barcelona have become the street art capitals of the world, with graffiti, stickers, stencils, and posters turning the urban scenery into outdoor exhibition galleries. NYC''“BCN explores the the ephemeral street art in these two cities, making it a unique and historical record of an ever''“changing creative movement.
320 pages, paperback- Since 2003, the nationally acclaimed and unique exhibition series BackJumps - The Live Issue has had sensational impact and successes in Berlin. The Backjumps team, built around curator Adrian Nabi, successfully wrapped their third major Live event, in late 2007. While gallery owners and professionals of the culture sector were left rubbing their eyes and the conservative tabloid newspapers elevated the project s profile with cries of scandal, approximately 50,000 enthusiastic art lovers made a pilgrimage to the exhibitions and numerous Backjumps-related side events in Kreuzberg.
BackJumps - Live Issue # 3 , the three-dimensional Live edition of the legendary Backjumps magazine, once again brought the street art scene together to view works of numerous international artists under one roof. In addition to the actual exhibition, several workshops, panel discussions, lectures, urban walks and partner exhibitions took place. Several large scale murals were painted throughout the city under the Backjumps banner and of course, throughout the course of the events, the streets of Berlin were as alive and visual as ever.
All this and much more can be found in the From Here To Fame s newly published 320-page (catalogue-)book, BackJumps - Live Issue # 3 , which, in keeping with former editions, strikes a bold note with its revolutionary design. The book gives the reader an allinclusive tour of the exhibition rooms, describing with brilliant images and thoughtful texts, the work of the 24 artists and projects. Additional information and numerous other works of each individual artist are also found in the extensive artist chapter of the catalogue. With the book s retrospect of Live Issues # 1 and # 2, light is shed on the Backjumps scandal , and the impact that the expositions have had on the Berlin art scene. POET 1 examines the story of the Backjumps magazine, from its humble beginnings to its present day success, while CEMNOZ, CHEECH and DON M. ZAZA elucidate the depths of their style philosophy. Select photographs of the side events, careful documentation of the painted murals and a large chapter on street art that includes more pictures, essays and academic treatises make this volume a must-have for more than just avid lovers of writing and street art.
Martha Cooper has the reputation of beeing the first and foremost photographer of emering Hip Hop culture in New York City. Her book, HIP HOP FILES - Photographs 1979-1984, makes a significant part of her extensive and unique archive accessible for the first time. The book documents the beginning of the phenomenon, now known as Hip Hop. The publication of many of her photos in the early ´80s, disseminated the culture both at home and abroad.
Along with the photos are quotes and statements from the people appearing in them.
The book celebrates its 10th birthday in 2014 and was published in three different languages: german, english and french.
The book includes a thoughtful introduction by ZEPHYR as well as essays by CHARLIE AHEARN; PATTI ASTOR and POPMASTER FABEL, participants in the early Hip Hop scene.
208 pages, Hardcover, 8'' x 10'', 200 color illustrations, English- This carefully curated new book in the ongoing Juxtapoz series collects handicrafts that transcend the cliches of the contemporary movement.These objects are indeed works of art, created with lashings of passion, whimsy and humor. The subject matter varies from foodstuff to robots and materials run the gamut from cardboard and paper to cloth, porcelain, metal, wool and yarn. All have been molded, etched, knitted or stitched into surprising shapes and forms from a knitted TV Dinner to a miniature streetscape. These are works that have crossed the boundary between craft, design and contemporary art, many worthy of exhibition in galleries and museums.
From the vivid colors and definitive lines of Nicole Gastonguay’s knitted sardine can to the candid realism of Sara Escamilla’s cast footwear and clothing, each is in a class of its own. Other artists featured include Megan Whitworth, Stephanie Munroe, Christl Hansman, Diem Chau and Ana Serrano.
Our MAGIC CITY is a place and a non-place. It is not the physical city of brick and mortar but rather the urban space of internalized meanings. It is the city as subject and canvas, neither theme park nor stage set, but an exhibition showcasing more than 40 of the most original and celebrated artists working on and in the city today.
This is a celebration of the universal character of cities as well as a love letter to their infinite diversity. Cities have been designed to facilitate work, but artists have transformed them into playgrounds for the imagination and ideas. This is the invitation called outside our window by friends and strangers with restless spirits: come out and play.
MAGIC CITY –The Art in the Streets features the work of: AIKO, AKRylonumérik, Andy K, Asbestos, Benuz, Jens Besser, Biancoshock, Mark Bode, Bordalo II, Ori Carino & Benjamin Armas, Henry Chalfant, Martha Cooper, Isaac Cordal, Daze, Brad Downey, Tristan Eaton, Ron English, Shepard Fairey , FINO'91, Ganzeer, Anders Gjennestad, Ben Heine, HERAKUT, Icy & Sot, Leon Keer, Loomit, MadC, OAKOAK, Odeith, OLEK , Qi Xinghua, Replete, ROA, Jaime Rojo, Skewville, SpY, Truly, Juandres Vera, WENU, Dan Witz, Yok & Sheryo and Ernest Zacharevic.
The art of urban calligraphy, an avalanche of visual poetry and poetic visuals, now in vivid full color. Meulman's iconic new art form, Calligraffiti, has attracted followers within graphic design, architecture, typography, advertising, calligraphy and graffiti. Sharing an interest in the visual arts and an appreciation for print, they understand that a word is an image. Here Meulman expands his ever-evolving artistic territory to include wild paintings and fine art.
144 Pages, Paperback- Until recently, art made in the street and art made within the institution had mutually excluded each other. Graffiti writers have mastered their medium like modern painters but because it did not emerge from a studio it was not considered to be ''real art'' by the critics. Still On, a catalog of a street art exhibition by the Von Der Heydt Museum Wuppertal in Barmen, Germany-, makes the case for graffiti as contemporary art. Beyond notions of vandalism and interventions in public space, graffiti and street art is a dialog between artists and their immediate environment. This exhibit examines how each artist responds to the confines of the Ruhmenshalle Gallery and how the vitality of their work translates successfully to the museum with out losing any of its power or integrity. With works on canvas, installation and painting directly on the gallery walls by Tasek, OS GEMEOS, Herbert Baglione, TILT, MISS VAN, Mirko Reisser, Pius Portman, Stohead, ZEVS Daniel Man, and Heiko Zahlman.
In recent years street art has grown bolder, more ornate, more sophisticated and—in many cases—more acceptable. Yet unsanctioned public art remains the problem child of cultural expression, the last outlaw of visual disciplines. It has also become a global phenomenon of the 21st century.
Made in collaboration with featured artists, Trespass examines the rise and global reach of graffiti and urban art, tracing key figures, events and movements of self-expression in the city’s social space, and the history of urban reclamation, protest, and illicit performance. The first book to present the full historical sweep, global reach and technical developments of the street art movement, Trespass features key works by 150 artists,and connects four generations of visionary outlaws including JeanTinguely, Spencer Tunick, Keith Haring, Os Gemeos, Jenny Holzer, Barry McGee, Gordon Matta-Clark, Shepard Fairey, Blu, Billboard Liberation Front, Guerrilla Girls and Banksy, among others. It also includes dozens of previously unpublished photographs of long-lost works and legendary, ephemeral urban artworks.
- Unpublished images of street art by Keith Haring and Jean-Michel Basquiat
- Unpublished photographs by Subway Art luminary Martha Cooper
- Unpublished photos from the personal archives of selected artists
- Incisive essays by Anne Pasternak (director of public arts fund Creative Time) and civil rights lawyer Tony Serra
- Special feature: exclusive preface by Banksy
Fifth volume of our collection WASTED TALENT, devoted to the artist Zeky.
16 x 23 cm / 160 pages / full color / hard cover / french & english 
Zeky was born in 1975 and lives in Montreuil; Paris. He went to school at nearby Gobelins and has been an artist since the day he was born. He began to paint graffiti at the end of the 80s. At the beginning of the 90s, he joined the OC (Outlaw Crew). Since then, he’s been a member of the MCZ collective (Montreuil City Zulus) and the VBA (Vaughn Bodé Addicts) founded by Orus at the end of the 90s. During a career spanning some 18 years of diurnal and nocturnal activities, Zeky has acquired irrefutable technical prowess, but his rich, spontaneous style – he very rarely modifies or polishes his work – is what singles him out. Zeky’s obsession with probing the limits of his art is evident in his work and, inspired by his New York predecessors, his style varies constantly depending on his inspiration. At the onset of his career, Zeky was particularly gifted with characters, but as time went by, he became renowned for a distinctive lettering style that will be forever associated with his tags. Zeky the artist is also in constant evolution; and this is obvious when you look at the techniques he has conquered over the years: tags; throw-ups; chromes and burns, Zeky has mastered them all.
208 pages, Paperback, 8 1/4'' x 10 1/4'' (210 x 260 mm), color illustrations throughout, English- Since the publication of The Art of Rebellion 1 – World of Street Art in 2002, the street art genre has exploded into the mainstream. The author, Christian Hundertmark, also known as artist C100, has been inside the scene since day one — which enables him to have first-class info about what’s fresh in the street art world.
160 pages, hardcover- On October 27 2006, when Mexican police opened fire on a crowd of protesters in the city of Oaxaca, killing three people, including American journalist Brad Roland Will, the world became aware of a social conflict that at its core was about the right to an education. Within hours of these shootings, graffiti calling the region's governor a murderer was sprayed throughout the city. Unlike in other cities where graffiti is recognized as a form of public art, in Oaxaca, graffiti became a way of achieving social justice through community organization. And because teachers in Mexico are primarily women, the graffiti is very much inspired and made by women. Shot by Elaine Sendyk in 2007, the photographs in this book depict oppression, empowerment and the messages of struggle and revolt.
192 pages, hardcover- The second book in an ongoing series from the seminal West Coast art and culture magazine, Juxtapoz Tattoo focuses on a subject very dear to the inked hearts of its readers. Most of the featured artists came up at the beginning of Tattoo's modern renaissance in the mid 1990's, hungry for a new approach, but steeped nonetheless in the traditions of their craft. Whether these gifted tattooists are creating a modern twist on a classic archetype, or pushing the boundaries of the future primitives aesthetic, innovation is the common goal. Featured tattooists include; Troy Penning, Alex McWatt, Brian Randolph and Chris O'Donnell of New York Adorned, Scott Campbell, Daniel Trocchio, Steve Boltz, Bert Krak, Henry Lewis, Joseph Ari Aloi, Jason Schroder, Eli Quinters and more.
176 pages, paperback- The Street Art Book is the first book to go behind the scenes of the street art world. As an insider's look, it takes us inside the studios of some of the most prominent street artists. It will help street artists successfully create and develop their individual styles. The book explores all of the materials, tools, and techniques that the most famous street artists use as well as showcasing outstanding and innovative work from around the world. Expert artists share their tips for reaching the ultimate twin goals of getting work seen and sold.
192 pages, hardcover- Boris Hoppek is known as the creator of the Bimbo Dolls series. In addition to humorous new photo installations starring his Bimbos, the book includes a broad selection of Hoppek's fanciful portraits in chalk and spray paint that can be seen in the streets of cities from Barcelona to Berlin. These are supplemented by images of his work on cardboard boxes as well as numerous illustrations and sketches. Rather than approach his art theoretically, Hoppek simply does what he likes to do. This method gives all of his work an aura of childlike authenticity. The combination of amusing motifs and an attractive, handy format make this book an ideal gift.
272 pages, softcover- A phenomenal new collection from the creators of God Made Dirt, and Dirt Don't Hurt and God Made Dirt, and Dirt Don't Hurt - Visual Journal Project, Convergence presents six contemporary artists united by a uniqueness of vision, storytelling ability and a generosity of artistic spirit. Five of the artists hail from San Francisco, one from Brooklyn; all inhabit hidden worlds, real or imaginary, from fantastic alien realms to the frenetic landscape of the modern day commuter. Then there's the world of DJs and DJ culture and those crazy lands inhabited by deconstructed robotic animals. All are worlds we enter with voyeuristic glee, happily immersing ourselves in the ''otherness'' we find therein.
After being out of print for years - ROCKIN' IT SUCKERS is back in a limited 10th Anniversary Edition! A classic graffiti book is once agin available - with additional text and original cover.
The inside story of the crew that has kept graffiti alive in New York City for the past 20 years. Some call it art others vandalism.For the members of the infamous RIS crew the label doesn't matter. ROCKIN' IT SUCKERS is the story of New York City's infamous RIS crew in their heyday. New York in the late 80s: A city tormented by crack and violent crime. At the same time the golden age of hip hop was in full bloom, and despite the violence some found room for creativity.
At this time a group of kids got together to taste the last of the city's painted subway trains, just in time to experience a new era in New York's graffiti history - The authorities decided to clean up the city and a zero-tolerance policy towards graffiti was instituted. While many of the city's graffiti writers quit, the RIS crew was determined to keep the trains colourful and decided to wage their own war with the city.
As a result, they took over New York with style, and along the way influenced graffiti writers long way outside the five boroughs. The crack down from the authorities didn't only trigger the RIS crew to write more, it also made them come up with faster techniques and develop their styles, all done with the crews' characteristic arrogance and humorous touch. Soon they became one of the world's most important and influential graffiti crews.
ROCKIN' IT SUCKERS feature never before seen images of graffiti by the leading figures in the crew as they share their thoughts on bombing, vandalizing and rocking the city. Essays by: Duel, Fuzz One, Ghost, Ket, and Noxer. Features the work of Bruz, Det, Ghost, JA One, Reas, Sane, Smith, Veefer and many more. Rockin' it Suckers 10th Anniversary Edition is the first publication in collaboration between Dokument Press and the Museum of Graffiti.
128 pages, 10 X 7.5 X 1 po
256 Pages, full color, hardcover: In their second volume, Modart coins a new term, “Moussism” to describe a post-everything era in the arts. According to the editors, Moussism is a non-traditional community based movement, which is not limited to a period, place or classical notion of aesthetics, discipline, medium, ideology or style.
Mser was born and grows up in Bucarest subway, the forgotten European playground of graffiti in which you can still see trains completely bombed, you can feel the smell of sprays and paint in the station.
A Subway player, 320 productions in one year in the same subway, all this has happened letting unchanged, piece after piece, a great creativity which in always simple and understandable.
These pages explain his life through an intensive interview, his style evolution, the most risky and strongest experiences, this book shows the best shots of his beloved line and not only, places where time seems to stand still and the writing spirit is always fresh and original.
Welcome to Paradise.
Format: 17 x 27 cm
Published in: Italy
98 pages, hardcover- Freelance photographer Johan Fredin-Knutzen is bringing you on a trip to discover the subway of Stockholm. You will see the tunels, the stations and other beautiful pictures of the subway system. This is not a graffiti book as it doesn't show graffiti pieces, but you can feel the graffiti vibe in each pictures, as you go deeper in the tunnels.
208 pages, hardcover. Once a year, the Juxtapoz magazine photo issue is released to eagerly awaiting fans of bleeding-edge photography. For the first time, Juxtapoz Photography pulls together in one volume the featured artists who since 1994 have been redefining a new movement of art and culture through provocative lenswork, groundbreaking camera angles, intense and often irreverent subject matter, moody and vibrant colors, and intimate portraiture. Juxtapoz Photo showcases a diverse group of current photographers, both established and up and coming, with a mix of personal and documentary images. The photos are eclectic in style and subject -- from portraits of celebrities and anonymous people, to snapshots from travels abroad and intimate moments captured on film -- but all photos are united by the Juxtapoz stamp of intriguing freshness and outsider perspectives. Contributors include Corey Arnold, Estevan Oriol, Alex Prager, Angela Boatwright, Dylan Maddux, Sam Bassett, Ye Rin Mok, Jesse Pollock, Heather Culp, Andy Mueller and many more.
104 pages- Home Sweet Home is a celebration of Banksy's street art in his home city of Bristol. This book places him in the context of 3D, John Nation from the Barton Hill Settlement, Inkie, Nick Walker and the other artists and musicians who were instrumental in linking Bristol to the original New York hip hop scene. It is the most revealing account of Banksy's formative years and contains more than one hundred images of his Bristol art, as well as pictures of Banksy at work, many of which have never been published before. Steve Wright, Venue magazine's Art Editor, traces Banksy's roots back to the rave culture of the Nineties and draws a rounded picture of an artist who is most famous for being anonymous.
128 pages- Blek Le Rat has been filling the streets of Paris with stencils since the early 80's. He has inspierd a whole generation of European Street artists, Banksy is only one of many who has adopted Blek Le Rats direct approach and layout. The book contains an exellent introduction written by King Adz. A true must-have!
116 pages, softcover- The Concrete and me 2, is a bilingual (Hungarian and English) book presenting a fine/street art subculture that is trying to find new ways by experimenting with media and techniques inspired by the urban scenery within and beyond the city bounds. The book is a result of an international collaboration and features artworks from 12 countries of Europe. 108(IT), CKE(SK), FIONA(D), ANED(H), APL315(UKR), BLEZE(RU/CZ), MOSD(CZ), BUDE(H), D.Y.O CREW (IT), ELLA(PL), EREMITERNA DUO(FIN/ SWE), FRANKY(FIN), HOMER(UKR), HONET(FR), HOTSHOT(H), IOKE42(SLO), IP CREW(H), JOE83(PL), MASKER(CZ), OILERS GANG(RO), U.T. CREW(D)
NYC has been and continues to be a beacon for artists, who both feed off and contribute to the City’s energy. This is Luna Park’s love letter to the City and the artists who continue to aspire and inspire.
For the last ten years city librarian Katherine 'Luna Park' Lorimer has been cataloging the art to be found on NYC streets. She quickly learned that for those that pay attention, the street can provide as much of an arts education as a museum. Ever since the City banished graffiti from the subway trains, it's streets have developed into a vast playground for a complex culture, made up of distinct communities, each with their own hierarchies, values and sets of rules. This book is the culmination of a decade of obsessively keeping up with NYC graffiti and street art, a time period which saw a seismic shift in the public perception and acceptance of the artform. The public space within which artists operate is fluid and new boundaries are being pushed every day. The streets are teeming with a vast spectrum of (un)sanctioned art, running the gamut from quick, illegal handstyles to full-blown production murals.
• Comprehensively documents 10 years in the explosion of creativity to be found on NY’s streets
• Covers the best of street art, graffiti and intervention
• Compiled by respected NY librarian and social documentarian Katherine 'Luna Park' Lorimer
Even if you've never held a brush in your hand, you can master the graceful art of fine calligraphy with the expert guidance of Brush Lettering. Brush calligraphy offers unlimited potential for creating an array of hand-lettered treasures. Now you can produce beautiful invitations, greeting cards, and certificates, distinctive stationery, unique posters and brochures, innovative logotypes, professional-quality headlines, elegant fabric designs, and much more. Marilyn Reaves and Eliza Schulte take you step by step through the techniques of brush lettering with the edged brush and pointed brush, dispensing invaluable advice on tools, media, and design. For beginners, students, hobbyists, or anyone involved in graphic design, Brush Lettering is a complete and authoritative how-to-manual.
- Paperback: 176 pages
- Language: English
- Product Dimensions: 22.9 x 1.3 x 27.9 cm
144 pages, softcover- The art of graffiti is alive and well in this English city by the sea, where the city and artists are working together to turn what was considered a public nuisance into a legitimate and treasured part of the Brighton experience. In page after page of powerful images, the authors present a pictorial evolution of street art, displaying an incredible range of styles and talents. This book documents the history of Brighton graffiti, from the first crude tags that were meant to defile to the dazzling murals painted on the seawalls which extend along the coast, drawing graffiti crews from all over the world. These photographs are interspersed with quotes from the most important graffiti artists who have worked in Brighton. What emerges is an inspiring example of graffiti as a valid, respected, and treasured art form within the town.
Hardcover, 160 pages
Since 1984, Darco has left his name in spray paint on every surface he considered worthy of his mark and in just a handful of years he has become the leading trendsetter in European graffiti styles. Rigorously aesthetical and a true devotee of writing and lettering, Darco is a forerunner whose tortured style combines a burgeoning creativeness with typical Germanic meticulousness. Of Franco-German origins, Darco is an international graffiti artist who has travelled worldwide on a quasi-mystical quest for the perfect letter.
146 pages, softcover- Two top graffiti artists from New York City expose their large-scale work. 294 startling color photos capture the innovative graffiti they and others created for over a decade from the late 1990s through the 2000s in three locations around New York...
160 pages, softcover- Ride back in time on the colorful New York City subway line of the 1970s to 1990s; the graffiti years, when subway cars became rolling metal canvases for some of the most notorious and influential graffiti writers of all time. Explore the amazing array of art work from the 1970s, '80s and '90s transit system “graveyards" including the work of graffiti artists BLADE, GHOST, SENT, REAS, VEN, WOLF, and STRIDER, as well as many other talented underdogs. The era is richly illustrated with over 235 rare, never-before-published photographs accompanied by personal accounts from the writers talking about their art and recalling their wild antics. This is an informative, nostalgic look at New York subway graffiti.
Writing text messages in public spaces has been a unique art form and a means of communication between humans for thousands of years. Many street artists work only with text, written messages or poems, and not necessarily with colourful murals, styles, tags and logos. Street Messages is the first publication that delivers a deep insight into this literary form of expression in the world of global street art.
Street Messages offers a historic background to written messages in public spaces and introduces more than 80 artists from across the world who work exclusively or partly with text. The vast body of information, numerous exclusive quotes and words of wisdom makes Street Messages the first book to shed some light on this as yet undocumented form of street art culture.
Features artwork by Banksy, Dolk, Ben Eine, Faith 47, Flint, Kid Acne, Know Hope, Mobstr, Skki and many more.
Nicholas Ganz aka Keinom is a freelance photographer and author from Essen, Germany. He started to paint in the streets in 1994 and has been documenting graffiti and street art ever since. In 2004, he published his first book, Graffiti World, which became a world-wide best-seller and was translated into 11 languages. In 2006, he released Graffiti Women and went on to write several books about Burma/Myanmar.
Author: Nicholas Ganz
Cover: Hard cover
Release date: 20150415
192 pages, paperback. Brilliant successor to the first edition, this book about street art has again been created without the collaboration of the artists and certainly without the permission of the wall owners. Works featured are all recent creations and many exhibit the vile passions that rage between old schools and new. There are blatant statements that embody outrageous lies, articles laced with satire, plus cynical synopses of attempts to commercialize street art and make it fashionable via celebrity endorsement. Consideration is given to the question What the hell is it about the color grey that makes it appeal the powers that be and their ridiculous minions? and Outsider Art is it an expression of artistic impulse without interference from the idea of personal gain? All of this amongst a collection of graffiti collected from all over the world and preserved on these pages before the legions employed to destroy them chip them off the walls. Artists featured include Miss Van, Dan Witz, Ron English, Obey, Banksy, Blek le Rat, Swoon, Os Gemeos, and Herakut.
LET HER BE FREE is the first collection of their art and covers nearly a decade of their career with more than 200 full colour pictures. Starting in 2006 the book offers a retrospective of their art in their early Iranian years and follows the brothers to New York City and depicts their work all over the world. With a special introduction by Jess X Chen and an afterword by Jaime Rojo and Steven P. Harrington, founders of Brooklyn Street Art.
"In the footsteps of Banksy, Icy and Sot have quickly earned their street credits. The brothers, have developed an international visual language to complete their path toward freedom in their own distinct way." -- HUGO KAAGMAN, Dutch Street Art Pioneer
"It is great that the medium of stencil art has grown to be adopted by so many artists around the world. These guys have a great eye for placement in the streets and always have something important to say with their work." -- Adam Neate, UK-based Street Artist
"These wise brothers call attention to a gaping gash in the side of humanity. Slowly stitching together torn fragments of human stories, Icy and Sot gives awareness to the flaws of our political systems and the way that impacts individual lives." -- Faith47, South African Street Artist.
- Paperback: 240 pages
- Publisher: Lebowski Publishers (June 1, 2016)
- Language: English
- ISBN-10: 9048828015
- ISBN-13: 978-9048828012
- Product Dimensions: 8.2 x 1 x 10.2 inches
This firstinstallment in a four-part series is a celebratory tour of some of the mostvibrant, impressive, contemporary mural art in the world. Fifty artistsfrom six continents share nearly 400 examples of their best work and a littlebit about their own lives and journeys as muralists. The criteria for inclusionin the book was simple: the artists had to be full-time muralists who push theboundaries of the art form and engage with the medium as a vital social concept.Many of these artists don’t have homes; they travel the globe, entering foreigncommunities and cultures, and find shelter from hosts of festivals or artlovers. It’s this dedication to their craft that sets this breed of artistsapart from traditional artists, such as painters and sculptors, but their levelof commitment is also what bridges the worlds of fine art and street art.
Size: 11″ x 8 1/2″ | 273 color photos | 216 pp
ISBN13: 9780764350016 | Binding: hard cover
216 pages, Hardcover- Leave it to Juxtapoz to fully cram the best artists from the hot rod, low rider, and kustom kulture world into one book. It's pure eye candy for existing fans and an aesthetic eye opener for everyone else. Written by underground journalist Kevin Thomson, and edited by Robert Williams in conjunction with the Juxtapoz team, this book is full on graphic auto action from cover to cover. It features core respresentatives of the scene originators such as Von Dutch and Ed ''Big Daddy'' Roth, together with contemporary maniacs like Coop, Keith Weesner, and Von Franco. Juxtapoz Car Culture provides the unique opportunity to fill your imaginary tank and zoom into a segment of the real world populated by those totally devoted to car culture. Packed with meaty profiles on featured artists together with cartoonists, stripers, painters and photographers working in the field, this book is indeed one of a kind.
156 pages, Hardcover, 9 1/4'' x 12'' (235 x 305 mm, 134 color illustrations, English- The last decade has seen the rise of artists who have rejected academia to embrace urban culture as their inspiration. The exhibition Viva la RevoluciÃ³n: A Dialogue with the Urban Landscape represents the pinnacle of this progression through an epic convergence of 20 artists from around the world.
HIMS: History Is Made In The Streets features hundreds of never-before-seen photographs cataloging an important transitional period of New York City subway graffiti.
This surprisingly inclusive collection features works from HIMS alongside some of graffiti's biggest names including Iz The Wiz, KAWS, SMASH 137, REVOK, NEKST and many more captured as these infamous graffiti writers moved from the subway to the streets.
HIMS spans a 20 year period, documenting a treasure trove of photos from the author's private collection. HIMS makes his presence known where its least expected not only in his home base in New York but as far and wide as Europe, Japan, Australia and beyond. This historic collection also features interviews and commentary from noted graffiti writers throughout the eclectic arc of graffiti history.
128 pages, hardcover- The work of the world’s top street artists on the Israeli-Palestinian separation barrier. Banksy was the first, but far from the only, international street artist to work on the separation barrier. Concrete Messages makes pieces and powerful messages from artists like Banksy, Swoon, JR, Faile, Blu and Ron English available to a wide audience. By combining pictures with interviews, Concrete Messages shows more of well-known local and international street artists than just their work.
An informative and inspirational guide to a powerful form of creative expression, The Stencil Graffiti Handbook is invaluable to designers, street artists, and aspiring guerrilla marketers alike.
With current political and cultural climates across the globe growing more uncertain, a new generation of artists, designers, and communicators are using stencil art on the walls of towns and cities to voice thought-provoking messages and ideas. Exploring the medium’s applications within grassroots activism and the contemporary craft scene, Tristan Manco returns to the streets and brings this thriving art form to life.
Exploring both process and results, this book delves into stencil art’s essential elements—place, space, technique, and subjects—before taking to the streets to see how, where, and why stencil graffiti is exhibited. Having accumulated an extensive network of street art contacts through more than two decades of immersion in the scene, Manco has scoured the globe for today’s most interesting stencil artists—those who operate outside the mainstream market of “urban art” and beneath the radar of everyone but the truly aware.
Featuring studio visits with artists and step-by-step instructional illustrations by the renowned Columbian art collective Stinkfish, The Stencil Graffiti Handbook is a must-have for anyone with an open mind and rebellious spirit.
Hardcover: 288 pages
256 pages, hardcover- Forget Art: In Order to Feel it - The Best of Modart Magazine is a must have for those trying to come to grips with the street art phenomenon, and the artists and players who shaped it and eventually outgrew the term as it began to stick. In these 256 pages, Modart editors showcase some of the most compelling aesthetics, actions and events from the first decade of the new millennium, featuring now iconic images, passionate writing and a veritable fount of great new art from around the world. From the beginning, the magazine focused on action, movement and the relevance of art and imagination during a period where no authority seemed there to distill what was happening
I'M IN MIAMI BITCH! is a full color 6x9" 216 page soft-cover art book the candidly captures the street art scene in the Wynwood area of Miami. This photo-journal was exclusively photographed by Andrew Kaufman. The foreward is by Kenny Scharf and a Q&A with BOOKSIIII BISCHOF.
In the fall of 2012 with Art Basel Miami Beach quickly approaching I decided to ensconce myself in the street art scene of Wynwood to tell the story. An area once known as “El Barrio” and now gentrified into the Wynwood Art District, every year in late November artists from around the world descend on the streets of Wynwood to remake the facade of almost every building, overhead door and nook or cranny where paint could be applied.
Artists included: CITE, CZRPRZ, HEIST, CRAOLA-DABS-MYLA-WITNES, BOBO, KING SLOTZ, PANEK, RATHS UP, PINKO, JAM 104, AUBS, EWOK, PIA, 2 SQUARE, SECRET, ISHMAEL, KENTON PARKER, ART CREAM TRUCK, CYST, FUMEROISM, POSE-MSK, CHANEY, PRESSA HALL, LAWS CREW, MOLLY ROSE FREEMAN, SOLO RM, ZIMER, PATCH WHISKEY, GLORIA MURIEL, NEMEL, SINTEX, ATOMIK, PHAME, SP1, TUBS, JUNK, TRAGEK, SAKIROO, MIG, RIDLE, RUBY, ENX, MAGEK, PEZ, GOREY, 131, LA PANDILLA, SERUM, GRABSTER, SINER, D.A.D.E., SEWR, EPHEMERON, CONE, FUNKADELIQCLIQUE, 33THIRD, FUBAR, FLORA, POGO, SAMUEL MARK ART, FEW AND FAR, CHARLIE BROWN, FLIK, EL KENOR, KENNY SCHARF, MARMER, BLINK, KAS, SLIP1, CHANOIR, XUPET NEGRE, TOREK, AMOS, CEPLSCREAM & DAZE, WERE IN MIAMI BITCH!
240 pages, softcover- Artistic genius, political activist, painter and decorator, mythic legend or notorious graffiti artist? The work of Banksy is unmistakable, except may be when it's squatting in the Tate or New York's Metropolitan Museum. Banksy is responsible for decorating the streets, walls, bridges and zoos of towns and cites throughout the world. Witty and subversive, his stencils show monkeys with weapons of mass destruction, policeman with smiley faces, rats with drills, and umbrellas. If you look hard enough you'll find your own. His statements, incitements, ironies and epigrams are by turns intelligent and cheeky comments on everything from the monarchy and capitalism to the war in Iraq and farm animals. His identity remains unknown, but his work is prolific. And now for the first time, he's putting together the best of his work - old and new in a fully illustrated colour volume.
There’s no glory without attitude. And so Wholetrain Press opens a new editorial era to improve the depth of the Glorious project, taking it to the next level: ATTITUDE. If Glorious was an overview of work from the most active Italian (and not) trainbombers, Glorious ATTITUDE instead is a series of special monographic-books dedicated to the most worthy exponents of the made-in-Italy graffiti world. ATTITUDE is also a report documented through exclusive pics and statements which, chapter after chapter, create a sort of personal diary. Somehwere between déjà vu and sensations to which only those who have spent nights in rail yards can relate, Glorious ATTITUDE accompanies a continuously evolving phoenomenon, focusing on its main characters one at a time, in order to express every trainbomber’s subculture. The first book in the series comes from the ML’S crew and features Cook, an eclectic monster of the commuter-battle who has been for years setting on fire the northern Italy lines in particular. He is a character in a class of his own and as real a writer as they come. ATTITUDE offers a cross section made of pure style, lettering, colour and steel. Merry trainspotting to everybody.
136 pages, hardcover- I dare anyone who has been to Italy, and especially Milan, in the past 10 years to claim that they have never seen the word 'DUMBO' written on the city walls. It's impossible Here, the artist behind those five obsessively repeated letters--who has brought the question art or vandalism to a country better known for its Renaissance painting and streamlined design--reveals himself and the enigmatic art underground that has nurtured him over the last decade. Photographs depicting the clandestine routines of graffiti writing for Italy's most popular street artist accompany almost 200 color pictures of Dumbo's work all over Italy and Europe. Artist Barry McGee--who honored Dumbo in a piece done for the European opening of the American street art show Beautiful Losers--says in a preface here, Dumbo represents everything right in this world by doing everything we are told is wrong.
200 pages, color, hardcover. 300 illustrations & photographs,
28.5 x 21 cm (11.22 x 8.27 inches)
Muralismo Morte reveals the vibrancy of a new type of muralism as it rises from the shadows of urban spaces in metropolises worldwide. From much celebrated pieces in prominent places to those hidden in anonymous, decayed ruins, it features the large-scale murals and small interventions of some of the most exciting international artists associated with this movement. Muralist and art activist Jens Besser uncovers these treasures and offers special insights into the emerging scene that is coloring our urban experience. Featured Artists: Roa, Remed, Klub 7, Aec & Waone (Interesni Kazki), Blu, Os Gemeos, Escif, Jens Besser, BerlinBeamBoys, Sonice Development, 3ttman, Kain Logos and many more.
128 pages, softcover- Over the past few years, street art has been enjoying an international boom. This book captures its development in New York City during that time. Seven years of first hand experience with the successes and failures of this unlawful occupation has given the author/photographer a personal and respectful connection to the subject. Evidence of that connection- and a visible passion for New York, comes through in the photographs. I NY acknowledges the significance of the beginner and the dabbler as well as the more recognized and committed artist.
Pretty wicked stuff that has never been seen before – therefore the titel Unseen Pieces Book that shows high-quality pics of the work of SKENAR73, a writer from Berlin.
With the help of his buddies like NEKTAR or PREY he came out with this illustrated book of his artwork in the most unusual places. He paintes walls in empty old houses, creepy cabins in the woods or even in some ancient bunkers.
But be quick, it is limited to 427 pieces.
Santiago, with its deeply evolved and extremely active underground graffiti scene, bursts at the seams with an abundance of eye-popping, jaw-dropping murals. Stencil graffiti artist Lord K2 documents 14 neighborhoods within the capital of Chile with his arresting photography and intimate conversations with local artists. Through more than 200 images and 80 interviews, learn how street art was influenced by American, European, and Brazilian graffiti and how its evolution runs parallel to the political history of the nation itself. During the Cold War, nationalist muralist brigades spread socialist idealism through symbols of power and oppression. Santiago’s repressed lower classes gradually usurped the art form, and murals eventually became a weapon of resistance. This vibrant city, with its array of distinct cultural districts, now invites you to experience its fascinating and tightly knit artistic community that has flourished since the fall of Pinochet’s dictatorship in 1990.
Size: 9″ x 9″ | 229 b/w & color photos | 184 pp
ISBN13: 9780764349270 | Binding: hard cover
Bold public artwork. Events and tours with internationally known artists and thinkers. A space dedicated to creative conversation and idea generation. Welcome to Open Source.
A response to major public art events like Miami’s Wynwood Walls, Prospect New Orleans, Germany’s documenta, and the myriad street festivals injecting creative energy into cities around the globe, Open Source advanced worldwide recognition of Philadelphia as a culturally innovative and global city. The project was uniquely about Philadelphia: the civic challenges and opportunities it faces, and the outcomes of collaborative thinking. Mural Arts Philadelphia’s public art exhibition, curated by Pedro Alonzo, brought 13 trailblazing artists from around the world to Philadelphia for groundbreaking projects that illuminated the city’s diverse public identity, including Ernel Martinez & Keir Johnston, Odili Donald Odita, Shepard Fairey, Momo, SWOON, Jennie Shanker, JR, Sam Durant, Michelle Angela Ortiz, Jonathan Monk, Heeseop Yoon, Shinique Smith, and the Dufala Brothers.
Features essays by project curator Pedro Alonzo, Teddy Cruz and Jane Golden.Published by Mural Arts Philadelphia 168 pages, Paperback 7 1/2" x 10" ISBN: 9780990387046
160 pages, hardcover- For years, French photographer Le Bijoutier has roamed the five boroughs of New York City, documenting street art as it has developed over the past decade. Unlike graffiti writers, whose bombing campaigns mark them in the public eye as vandals, the work of street artists is celebrated as progressive. Many make their name first on the streets before hitting the gallery world. But before they move on, LeBijoutier has caught them in all their illegal glory. In This Means Nothing, his first book, Le Bijoutier chronicles these works in sticker, chalk, marker, stencil, wheat paste poster, painting, and even sculpture, revealing a new direction in public destruction for the sake of aesthetic construction. The war continues''¦
160 pages, paperback- Berlin based graphic designer SUPERBLAST was immersed in the world of punk rock and skateboarding when he discovered graffiti in 1990 and quickly became addicted to the energy and vitality of the street art underground. As a logical evolution of writing with spraypaint, he started a career as graphic designer in 1999. While studying graphic design, he freelanced for several urban brands, had solo and collective art shows. In 2004 he honed his skills in the beautiful craft of creating letters, by attending lessons in Fontdesign from the world-famous Luc(as) de Groot. His unique iconic style and use of color in illustrations, lettering and wall pieces lead him to projects with some of the most interesting and innovative artists and companies in his field. Most notable are his collaborations with Playstation Portable, Ecko Unltd, Volkl Skateboards, Montana Cans, and many more. SUPERBLAST has designed clothing, graphics, magazine ads, and skateboard decks. Neo Utopia –The Art & Work of Superblast is a fascinating career retrospective from a pioneer of the European graffiti world. Included is a personal selection of graphic design work, graffiti, illustration, ad campaigns, logo design, typography and related art of the past 17 years as well as sketches and full color photos of work in progress.