Boulevard – On Trespassing and Culture is an international, English art magazine that covers the past and present discourse of street and urban art.
The magazine considers itself an addition to other already existing magazines and publications with the purpose of presenting its content across respective country borders to a wider audience.
Superordinate topics structure each issue and offer an interesting context. The focus themes are the theory (Reprint), photography, portraits of artists (Cases), and current reviews and news (Talk). The team behind the project (Thomas Lauterberg, Dr. phil. Harald Hinz and Robert Kaltenhäuser) are a guarantee for extremely high-quality articles.USD$13.95
Valencia is Spain's third largest city and is a hotbed of vibrant street art. While elaborate murals, wheat pastes and stencils can be found throughout the city, the scene epicenter is Barrio del Carmen, the neighborhood that comprises "old town" In this part of the city a great number of old structures have been razed to make room for new developments. The building lots are usually surrounded by temporary walls, which Valencia's most prolific street artists use as their canvases.
- Hardcover: 144 pages
- Language: English
- Product Dimensions: 8.7 x 0.9 x 10.4 inches
Artivism, is becoming a common way of denouncing conflicts, of being a megaphone of the unfairness, demanding more public space or pushing political agendas; in short, to highlight what does not work well. Artivists use art as a weapon of public and social exigency charged with particular doses of shrewdness, inventiveness, imagination, sense of humour and, above all, social impact, either throughout impressive pieces or the most subtle and invisible actions. Navigating through the curiosity, emotion and concern of the new artivists; We walk the paths of a creativity committed to reflection, criticism and the eternal pursuit of social justice.USD$34.95
For fifty years, graffiti and street art have been challenging conventions and stimulating debate around our perceptions of what constitutes art. As the genre enters its sixth decade, this ground-breaking book presents a new interpretation of where street art and graffiti are situated today. Introducing the concept of 'Intermural Art' - art in between the walls - Rafael Schacter presents a genre at a key moment of transition. While many street and graffiti artists are still challenging the orthodoxies of the public sphere, an increasingly large group are reshaping the field by no longer furtively entering the institution, no longer slavishly reproducing exterior works inside, but instead attempting to merge out and in to create a form that articulates graffiti, street and contemporary-art influences. Through forty profiles of the leading proponents of this new approach from around the globe, Rafael Schacter presents a compelling analysis for 'Intermural Art' while also showcasing some of the boldest work being made currently.USD$69.95
Perhaps the largest exhibition of street art ever attempted, Tour Paris 13 is the culmination of a movement that always strives for new forms of involvement from the viewer. Housed in a now-demolished 1950s-era nine-story apartment block near the Seine, 105 artists of 18 different nationalities created unique works in the interior as well as on the exterior of the building, allowing visitors access for only thirty days. The result was a pure, immersive experience that allowed artists free reign to indulge their creativity in an environment of open-mindedness and without commodification. This beautiful catalogue records the work of such urban art luminaries as A1One, Herbert Baglione, COPE2, Ethos, Peeta, Rea One, Seth, Stinkfish, Swoon, Vexta and Vhils.
- Hardcover: 256 pages
- Publisher: Albin Michel Editions; Bilingual edition (March 1 2017)
- Language: English
- ISBN-10: 2226259031
- ISBN-13: 978-2226259035
- Product Dimensions: 20.3 x 3 x 31.8 cm
An overview of the 50 street artists and their works that matter today. With exclusive portraits and interviewsArtists include: David Walker, Banksy, Slinkachu, Mobstr, Vhils and many othersStreet Art Today offers a topical and contemporary overview of the most influential street artists and their work as well as the most important schools. The authors compiled this who's who of contemporary street art in collaboration with a range of artists. They take a close look at names such as Alexis Diaz, Ella & Pitr, JR, Faith47, Mobstr and SpY. Exclusive interviews, illuminating essays and a foreword by Martyn Reed make this book a must-read for anyone, experts or amateurs, interested in this increasingly popular art scene. 'Street Art Today is a taste of things past, a showcase of things present and a hint of things to come.'
The book features: 1010 - Aryz - Banksy - Biancoshock - Bicicleta Sem Freio - Bordalo II - Borondo - Case Ma Claim - Isaac Cordal - DALeast - Alexis Diaz - Tristan Eaton - Elian - Ella & Pitr - Elle - Escif - Etam Cru - Eversiempre - Faith47 - Fikos - Fintan Magee - Hyuro - Conor Harrington - Maya Hayuk - Agostino Iacurci - Inti - Joe Iurato - Jana & JS - JR - Levalet - Ludo - M-City - Mobster - MTO - Nychos - Os Gemeos - Pejac - Phlegm - Pixel Pancho - Roa - Rone - Seth Globepainter - Space Invader - SpY - StrØk - Telmo Miel - Guido Van Helten - Axel Void - David Walker - Ernest Zacharevic.
- Hardcover: 272 pages
- Publisher: Lannoo Publishers (June 30 2016)
- Language: English
- ISBN-10: 940142697X
- ISBN-13: 978-9401426978
- Product Dimensions: 21.1 x 2.8 x 27.8 cm
The seminal artist’s recent art and poster works, and his triumphant return to his street-art roots with murals, all in work never before published. Shepard Fairey rose out of the skateboarding scene, creating his “Andre the Giant Has a Posse” sticker campaign in the late ’80s, and has since achieved a mainstream recognition that most street artists never find. Fairey’s “Hope” poster, created during Obama’s 2008 presidential campaign, is arguably the most iconic American image since Uncle Sam. Fairey has become a pop-culture icon himself, though he has remained true to his street-art roots. OBEY: Covert to Overt showcases his most recent evolution from works on paper to grander art installations, cross-cultural artworks, and music/art collaborations. The book also includes his ubiquitous streetwear and chronicles his return to public artworks. His signature blend of politics, street culture, and art makes Fairey unlike any other subculture/street artist working today.
This book showcases the significant amount of art he has created the last several years: street murals, mixed-media installations, art/music events, countless silk screens, and work from his extremely successful OBEY brand.
- Hardcover: 256 pages
- Publisher: Rizzoli (Sept. 29 2015)
- Language: English
- ISBN-10: 0847846210
- ISBN-13: 978-0847846214
- Product Dimensions: 26.9 x 2.8 x 32 cm
Manufacturer's Suggested Retail Price USD$50.00USD$49.95
Morley is a Los Angeles-based street artist that specializes in bold, typographic posters which he wheat pastes within the urban landscape. Blending humor, hope and his unique perspective on life, Morley's aim is to act as a friendly voice amongst the cacophony of billboarded messages and corporate slogans. This voice was given a face when he began including an image of himself in each of his pieces, looking to create a more intimate relationship between the artist and the audience than many of his anonymous contemporaries could allow. In 2011, Morley's work caught the eye of Steve Lazarides whose Outsiders imprint began selling his work, describing it thusly: "His sympathetic statements give the tirelessly aspirational residents a welcome reminder of what's important in life: love, simple pleasures, making the world a slightly better place and not hating on yourself too much." Today, he continues to paste his work in any city that doesn't enforce their vandalism laws through caning. Also he made us promise to include the fact that he can hold his breath for over an hour, and that if anyone challenged him to a breath holding contest, they would totally lose - but he was probably lying about that.
- Hardcover: 224 pages
- Publisher: Cameron Books; First Edition edition (April 15, 2014)
- Language: English
- ISBN-10: 1937359581
- ISBN-13: 978-1937359584
- Product Dimensions: 8.9 x 1 x 11.4 inches
This book it has its direct origin on an international call for papers, issued by Pedro Costa and Paula Guerra, which aimed to give body to a publication on the thematic of creative milieus and cultural scenes in contemporary urban spaces. The organizers of that publication were surprised by the great quality and interest of the proposals for papers which were presented, even if many of them were not focused specifically and directly on the “creative milieus” and “urban scenes” approach they were looking for. Interestingly, many of the papers raised the issue of the relation between urban interventions (particularly street art approaches) and public space. That was so stimulating that the authors, drawing also upon previous work on that area, decided to give birth to another project, complementary to the edition of the original idea of book, which would be specifically focused on issues of urban interventions, street art and public space. For that, they joined Pedro Soares Neves, which have been working for years in the field of street art and urban interventions, is executive director of Urbancreativity international research topic on Graffiti, Street Art and Urban Creativity. The diversity of contributions put together in this book acknowledges the variety of debates and perspectives that mark contemporary discussions on the relation between art and public space, with particular reference to the case of graffiti and street art, which attracted most of the contributors that came from various disciplines and backgrounds.
- Paperback: 174 pages
- Publisher: Pedro Soares Neves (February 1, 2017)
- Language: English
- ISBN-10: 9899771260
- ISBN-13: 978-9899771260
- Product Dimensions: 8 x 0.4 x 10 inches
- Hardcover: 392 pages
- Publisher: Harry N. Abrams; 2 edition (Sept. 1 2009)
- Language: English
- Product Dimensions: 23.2 x 3.8 x 24.1 cm
Street Art books
Memories of Dismaland is my extensive full color photo diary of the amazing temporary pop up theme park erected by Banksy and 58 other artists set up in the seaside resort town of Weston-super-Mare in Somerset, England. Prepared in secret under the guise of constructing a movie set for a Hollywood film company filming a crime thriller called “Grey Fox”, the pop-up exhibition at the Tropicana, a disused lido, was clearly a sinister twist on Disneyland, although Banksy denied any relationship to Disney and actually banned Disney associates from the park that opened during the weekend of 21 August 2015, ran 36 days and closed permanently on 27 September 2015.
On the walls of alleys and abandoned buildings, on chain link fences and trash cans, on utility and traffic signal boxes – this is global street art, as photographed by Lou Chamberlin. The images jump off the streets and into the pages of Lou's book, as her photographs document the walls making waves in cities from London to Berlin, Sydney to Lodz, Dublin to Rio, and Tokyo to New York.
This is an important new sourcebook for street artists, revealing not just the latest, exciting art happening around the globe, but also the collaborations and communities supporting the movement.
Meet 20 of the most creative, original street artists from around the world—including Banksy. Art has moved from the museum into the streets, with visionary artists using their creativity to convert the spaces of everyday life and, often, to address social and political issues. Journalist Alessandra Mattanza interviews 20 of the most renowned figures in the street-art scene, from painters to sculptors to stencilists, who reveal their stories and their inspiration. The international roster includes: Aryz, from Barcelona, Spain, who creates elaborate murals on buildings and trucks; São Paulo graffiti artist Nunca (Francisco Rodrigues da Silva), who began painting at 12 years old; Shepard Fairey, renowned for his poster of President Obama; EVOL, from Berlin, who specializes in producing miniature buildings and installations; Fauxreel, whose photography-based work explores themes of homelessness; and Swoon, who combines art with social action through her nonprofit. Chris Versteeg, an expert in graphic design, provides a detailed historical introduction to this popular, omnipresent form of contemporary art.
Painted murals first appeared in Latin America in the early 20th century; in the 1950s, spray-can graffiti associated with Latino gangs followed, notably the “cholo” graffiti of Los Angeles. Today, street art has traveled to nearly every corner of the globe, evolving into a highly complex and ornate art form. The World Atlas of Street Art and Graffiti is the definitive survey of international street art, focusing on the world’s most influential urban artists and artworks. Since the lives and works of urban artists are inextricably linked to specific streets and places, this beautifully illustrated volume features specially commissioned “city artworks” that provide an intimate understanding of these metropolitan landscapes.
Organized geographically by country and city, more than 100 of today’s most important street artists―including Espo in New York, Shepard Fairey in Los Angeles, Os Gêmeos in Brazil, and Anthony Lister in Australia―are profiled alongside key examples of their work. The evolution of street art and graffiti within each region is also chronicled, providing essential historical context. With contributions by the foremost authorities on street art and graffiti, this landmark publication provides a nuanced understanding of a widespread contemporary art practice. The World Atlas of Street Art and Graffitiemphasizes urban art’s powerful commitment to a spontaneous creativity that is inherently connected to the architecture of the metropolis.
In recent years street art has grown bolder, more ornate, more sophisticated and—in many cases—more acceptable. Yet unsanctioned public art remains the problem child of cultural expression, the last outlaw of visual disciplines. It has also become a global phenomenon of the 21st century.
Made in collaboration with featured artists, Trespass examines the rise and global reach of graffiti and urban art, tracing key figures, events and movements of self-expression in the city’s social space, and the history of urban reclamation, protest, and illicit performance. The first book to present the full historical sweep, global reach and technical developments of the street art movement, Trespass features key works by 150 artists,and connects four generations of visionary outlaws including JeanTinguely, Spencer Tunick, Keith Haring, Os Gemeos, Jenny Holzer, Barry McGee, Gordon Matta-Clark, Shepard Fairey, Blu, Billboard Liberation Front, Guerrilla Girls and Banksy, among others. It also includes dozens of previously unpublished photographs of long-lost works and legendary, ephemeral urban artworks.
- Unpublished images of street art by Keith Haring and Jean-Michel Basquiat
- Unpublished photographs by Subway Art luminary Martha Cooper
- Unpublished photos from the personal archives of selected artists
- Incisive essays by Anne Pasternak (director of public arts fund Creative Time) and civil rights lawyer Tony Serra
- Special feature: exclusive preface by Banksy
Street art and graffiti are a familiar sight in all our cities. Giant murals commemorate historical events or proclaim the culture of a neighborhood, while tagged walls can function simultaneously as a claim to territory and a backdrop for an urban fashion shoot. Street Art World examines these divergent forms and functions of street art. This strikingly illustrated book explores every aspect of street art, from those who spray it into being to those who revel in it on Instagram, from its place under highway overpasses to one on the austere walls of high art museums. Drawing on over twenty years of research, she juxtaposes the rise and fall of art markets against the vibrancy of the street and urban life, providing a rich history and new ways of contextualizing the words and images—some breathtakingly beautiful—that seem to appear overnight in cities around the world.
Discover the street art scene in London, Melbourne, San Francisco and 39 other cities around the world through vivid photography. From Banksy’s stencils and Invader’s mosaics to amazing murals, this insider’s guide provides practical details and maps of where to find secret stashes of street art, and introduces key artists, festivals and locations.
Street art is now present in almost every city, town and village in the world, from Aachen to Zwolle. Its true audience is measured in the billions. And given that the first record of homo sapiens painting on walls is thought to date back around 40,000 years, it’s surprising that street art has taken so long to flourish.
Today, the proliferation of legal walls and organised festivals around the world makes it possible to encounter thought-provoking, transformative art in the most unexpected of places.
This visual guide to the world of street art takes in the scene in over 40 cities and includes interviews with some of the most prolific and well-known street artists, including Blek le Rat, FAILE and Faith47. And with hundreds of locations plotted and a special focus on 15 of the world’s most incredible street art festivals, this guide will help you discover artworks hidden in plain sight around the world.
Ever since he picked the graffiti name Shoe in 1979, Niels Meulman has been carving out his own path towards the international art world. Being a graffiti pioneer from Amsterdam, he worked with American counterparts such as Dondi White, Rammellzee and Keith Haring in the 1980s. He made the transition from the streets to fine art with a unique fusion of calligraphy and graffiti, which he named Calligraffiti. This soon became a worldwide phenomenon and now plays a significant role within Urban Contemporary Art. It also sparked the catchphrase 'A word is an image, writing is painting'. In recent years Niels Shoe Meulman moved towards a style he calls Abstract Vandalism. Influenced by the great painters of Abstract Expressionism, his work has been shown in count-less exhibitions all over the world and is included in the permanent collections of museums and private collections.`Shoe Is My Middle Name celebrates three decades of art by a legendary graffiti artist, painter, writer, designer and calligrapher. A striking book that offers an overview of his career, showcasing his evolution through a masterful mixture of paintings, murals, poetry, interviews, graphics and insights about his identity as an artist and art itself.
Jean-Michel Basquiat and his unique, collage-style paintings rocketed to fame in the 1980s as a cultural phenomenon unlike anything the art world had ever seen. But before that, he was a little boy who saw art everywhere: in poetry books and museums, in games and in the words that we speak, and in the pulsing energy of New York City. Now, award-winning illustrator Javaka Steptoe's vivid text and bold artwork echoing Basquiat's own introduce young readers to the powerful message that art doesn't always have to be neat or clean--and definitely not inside the lines--to be beautiful.
Explore the geography of genius in Desperately Seeking B**ksy, a pocket-sized, smaller sibling of Where’s B**ksy that illuminates the interaction between artist and space. Where its predecessor featured in-depth analysis of each piece displayed, Desperately Seeking B**ksy offers accessibility and brevity for the more casual fan. The maps are streamlined, and analysis has been replaced by individual quotes that offer insight into the inspiration behind each piece. The artwork selection is up-to-the-minute, featuring 2017’s Bridge Farm Primary School and The Walled Off Hotel.With a size and price point perfect for gifting or impulse buying, it makes Banksy’s work available to a wider audience than ever before.Like the other titles in the Desperately Seeking series, Desperately Seeking B**ksy looks at a major cultural icon from a brand-new perspective, providing context for his work and legacy.
This beautifully designed book showcases the work of nine pairs of New York City’s finest graffiti and street artists, delving deep into their backgrounds, techniques, and collaborative processes. Each duo consists of artists with unique styles who come together to create a larger-than-life work of street art in a neighborhood in New York, the birthplace of modern graffiti. Witness the immense creative potential of collaborations that have produced stunning examples of classic graffiti, collage work, screen printing, and murals. Each chapter provides access to a mysterious underworld, leading readers to secretive meetings of creative minds out of which ephemeral, yet nonetheless remarkable, works are born and later transferred onto walls, rooftops, trucks, and subway platforms. The combination of revealing interviews and colorful action photography produces a narrative arc of relationships—formed between individuals from diverse backgrounds and creative upbringings—that follows the artistic process from creative spark to collaborative masterpiece.
In December of 2006, there was a three-day art show called Wooster on Spring featuring nearly 100 well known street artists from all over the planet. The event was to celebrate Eleven Spring Street, a key destination for international street art. Featured in the show was famous artist Shepard Fairey, as well as artists Swoon, JR, prune, Doze Green, above among others. This book celebrates the 10th anniversary of the Wooster on Spring show. If you like street art, this book is for you.
Children of the Can: Bristol Street Art and Graffiti is the follow-up to 2008's hugely successful Children of the Can: 25 Years of Bristol Graffiti. What started out as a straightforward second edition quickly took on a life of its own and has grown into a new project. Since the initial publication of Children of the Can the Bristol graffiti scene has seen the emergence of many new artists and events, cementing Bristol's status as one of the UK and Europe's most influential cities in the street art movement.
With more than 60 added pages and more than 20 new artists and events Children of the Can: Bristol Graffiti and Street Art gives a comprehensive A- Z of some of the biggest names in Bristol graffiti. Including: 3D, Banksy, Cheo, China Mike, Filthy Luker, FLX, Haka, Inkie, Jeff Row, Jody, Lokey, Mr.Jago, Mudwig, Nick Walker, Rowdy, Sickboy, Soker, What Collective, Will Barras, The Z-Boys and many more
Author Felix 'FLX' Braun started writing graffiti in the mid-80s and grew up with the Bristol scene painting alongside the likes of Inkie and Nick Walker. He continues to live and paint in the city and has unrivalled access to the artists and their work. Here, they tell their stories in their own words. Many of the images in Children of the Can have never before been published and many have been provided from the artists' sketchbooks and private collections. The book is the definitive collection of Bristol graffiti, containing several hundred images.
Hardcover, 352 pages
Future/Memory is a book about the exhibition with the same name, organized in Dresden, Germany at HELLERAU - European Center for the Arts Dresden, during the summer of 2013.
The book shows the nature of the work of artists like Boogie, Martha Cooper, Cody Hudson and Horfée - artists that all stems from, and get their inspiration from street culture and urban environment.
The artists express their creativity in different techniques and on different subjects. Wasted objects lying in the street are turned into sculptures; images of children playing in the Bronx are transformed into timeless testimonies of the 1980s. Graffiti are converted into abstract and conceptual art, and a blank wooden wall becomes a contemporary vision of an archaic altar.
Future/Memory condenses images of the past and the future taken from human urban surroundings and enlightens the importance of the artistic dialogues, their gestures and energy of street life.
Most of the exhibited works were created on site, ranging from painting, photography, sculpture, installations and conceptual art.
Future/Memory is an innovative and exciting dialogue between street culture and contemporary art featuring some of the most internationally renowned artists and photographers.
The artists featured in Future/Memory are Boogie, Martha Cooper, Horfée, Cody Hudson, HuskMitNavn, Cleon Peterson, Jay “One” Ramier, Skki and SuperBlast
Walled City makes plain why large-scale outdoor paintings have become so widely admired and accepted. The level of talent, skill and execution has elevated the oversized mural in our collective consciousness. Featuring the best work of more than 40 artists from every corner of the planet, Walled City clearly shows that large scale murals have established themselves as a new pillar of urbanism. The installation processes are often as interesting as the paintings themselves. These intrepid artists deftly utilize paintbrushes, spray cans, stencils and wheat paste to install their work, often risking life and limb. Outdoor paintings and murals arent a new phenomenon, but their scale importance to contemporary visual culture is clearly on the rise.