Boulevard – On Trespassing and Culture is an international, English art magazine that covers the past and present discourse of street and urban art.
The magazine considers itself an addition to other already existing magazines and publications with the purpose of presenting its content across respective country borders to a wider audience.
Superordinate topics structure each issue and offer an interesting context. The focus themes are the theory (Reprint), photography, portraits of artists (Cases), and current reviews and news (Talk). The team behind the project (Thomas Lauterberg, Dr. phil. Harald Hinz and Robert Kaltenhäuser) are a guarantee for extremely high-quality articles.USD$13.95
What is behind the tidal wave of street art that is sweeping through the cultural scene today? What are its artistic features, its codes, and its language? How has its production, which was originally exclusively centered in the urban space, invaded galleries, bringing with it real popularity for some artists? These are some of the questions that Magda Danysz, a gallery owner and recognized expert on street art, answers with an easily comprehensible and entertaining style in this unique, richly illustrated anthology. This volume retraces the history of the genre from its beginnings in the mid-1970s to the current issues that surround it today. This historical journey is dotted with portraits of the big international names from the field and dives deep into one of the major currents of contemporary art.
- Hardcover: 240 pages
- Language: English
- Product Dimensions: 6.5 x 1 x 8.8 inches
Valencia is Spain's third largest city and is a hotbed of vibrant street art. While elaborate murals, wheat pastes and stencils can be found throughout the city, the scene epicenter is Barrio del Carmen, the neighborhood that comprises "old town" In this part of the city a great number of old structures have been razed to make room for new developments. The building lots are usually surrounded by temporary walls, which Valencia's most prolific street artists use as their canvases.
- Hardcover: 144 pages
- Language: English
- Product Dimensions: 8.7 x 0.9 x 10.4 inches
Artivism, is becoming a common way of denouncing conflicts, of being a megaphone of the unfairness, demanding more public space or pushing political agendas; in short, to highlight what does not work well. Artivists use art as a weapon of public and social exigency charged with particular doses of shrewdness, inventiveness, imagination, sense of humour and, above all, social impact, either throughout impressive pieces or the most subtle and invisible actions. Navigating through the curiosity, emotion and concern of the new artivists; We walk the paths of a creativity committed to reflection, criticism and the eternal pursuit of social justice.USD$34.95
For fifty years, graffiti and street art have been challenging conventions and stimulating debate around our perceptions of what constitutes art. As the genre enters its sixth decade, this ground-breaking book presents a new interpretation of where street art and graffiti are situated today. Introducing the concept of 'Intermural Art' - art in between the walls - Rafael Schacter presents a genre at a key moment of transition. While many street and graffiti artists are still challenging the orthodoxies of the public sphere, an increasingly large group are reshaping the field by no longer furtively entering the institution, no longer slavishly reproducing exterior works inside, but instead attempting to merge out and in to create a form that articulates graffiti, street and contemporary-art influences. Through forty profiles of the leading proponents of this new approach from around the globe, Rafael Schacter presents a compelling analysis for 'Intermural Art' while also showcasing some of the boldest work being made currently.USD$69.95
Perhaps the largest exhibition of street art ever attempted, Tour Paris 13 is the culmination of a movement that always strives for new forms of involvement from the viewer. Housed in a now-demolished 1950s-era nine-story apartment block near the Seine, 105 artists of 18 different nationalities created unique works in the interior as well as on the exterior of the building, allowing visitors access for only thirty days. The result was a pure, immersive experience that allowed artists free reign to indulge their creativity in an environment of open-mindedness and without commodification. This beautiful catalogue records the work of such urban art luminaries as A1One, Herbert Baglione, COPE2, Ethos, Peeta, Rea One, Seth, Stinkfish, Swoon, Vexta and Vhils.
- Hardcover: 256 pages
- Publisher: Albin Michel Editions; Bilingual edition (March 1 2017)
- Language: English
- ISBN-10: 2226259031
- ISBN-13: 978-2226259035
- Product Dimensions: 20.3 x 3 x 31.8 cm
An overview of the 50 street artists and their works that matter today. With exclusive portraits and interviewsArtists include: David Walker, Banksy, Slinkachu, Mobstr, Vhils and many othersStreet Art Today offers a topical and contemporary overview of the most influential street artists and their work as well as the most important schools. The authors compiled this who's who of contemporary street art in collaboration with a range of artists. They take a close look at names such as Alexis Diaz, Ella & Pitr, JR, Faith47, Mobstr and SpY. Exclusive interviews, illuminating essays and a foreword by Martyn Reed make this book a must-read for anyone, experts or amateurs, interested in this increasingly popular art scene. 'Street Art Today is a taste of things past, a showcase of things present and a hint of things to come.'
The book features: 1010 - Aryz - Banksy - Biancoshock - Bicicleta Sem Freio - Bordalo II - Borondo - Case Ma Claim - Isaac Cordal - DALeast - Alexis Diaz - Tristan Eaton - Elian - Ella & Pitr - Elle - Escif - Etam Cru - Eversiempre - Faith47 - Fikos - Fintan Magee - Hyuro - Conor Harrington - Maya Hayuk - Agostino Iacurci - Inti - Joe Iurato - Jana & JS - JR - Levalet - Ludo - M-City - Mobster - MTO - Nychos - Os Gemeos - Pejac - Phlegm - Pixel Pancho - Roa - Rone - Seth Globepainter - Space Invader - SpY - StrØk - Telmo Miel - Guido Van Helten - Axel Void - David Walker - Ernest Zacharevic.
- Hardcover: 272 pages
- Publisher: Lannoo Publishers (June 30 2016)
- Language: English
- ISBN-10: 940142697X
- ISBN-13: 978-9401426978
- Product Dimensions: 21.1 x 2.8 x 27.8 cm
The seminal artist’s recent art and poster works, and his triumphant return to his street-art roots with murals, all in work never before published. Shepard Fairey rose out of the skateboarding scene, creating his “Andre the Giant Has a Posse” sticker campaign in the late ’80s, and has since achieved a mainstream recognition that most street artists never find. Fairey’s “Hope” poster, created during Obama’s 2008 presidential campaign, is arguably the most iconic American image since Uncle Sam. Fairey has become a pop-culture icon himself, though he has remained true to his street-art roots. OBEY: Covert to Overt showcases his most recent evolution from works on paper to grander art installations, cross-cultural artworks, and music/art collaborations. The book also includes his ubiquitous streetwear and chronicles his return to public artworks. His signature blend of politics, street culture, and art makes Fairey unlike any other subculture/street artist working today.
This book showcases the significant amount of art he has created the last several years: street murals, mixed-media installations, art/music events, countless silk screens, and work from his extremely successful OBEY brand.
- Hardcover: 256 pages
- Publisher: Rizzoli (Sept. 29 2015)
- Language: English
- ISBN-10: 0847846210
- ISBN-13: 978-0847846214
- Product Dimensions: 26.9 x 2.8 x 32 cm
Manufacturer's Suggested Retail Price USD$50.00USD$49.95
Morley is a Los Angeles-based street artist that specializes in bold, typographic posters which he wheat pastes within the urban landscape. Blending humor, hope and his unique perspective on life, Morley's aim is to act as a friendly voice amongst the cacophony of billboarded messages and corporate slogans. This voice was given a face when he began including an image of himself in each of his pieces, looking to create a more intimate relationship between the artist and the audience than many of his anonymous contemporaries could allow. In 2011, Morley's work caught the eye of Steve Lazarides whose Outsiders imprint began selling his work, describing it thusly: "His sympathetic statements give the tirelessly aspirational residents a welcome reminder of what's important in life: love, simple pleasures, making the world a slightly better place and not hating on yourself too much." Today, he continues to paste his work in any city that doesn't enforce their vandalism laws through caning. Also he made us promise to include the fact that he can hold his breath for over an hour, and that if anyone challenged him to a breath holding contest, they would totally lose - but he was probably lying about that.
- Hardcover: 224 pages
- Publisher: Cameron Books; First Edition edition (April 15, 2014)
- Language: English
- ISBN-10: 1937359581
- ISBN-13: 978-1937359584
- Product Dimensions: 8.9 x 1 x 11.4 inches
This book it has its direct origin on an international call for papers, issued by Pedro Costa and Paula Guerra, which aimed to give body to a publication on the thematic of creative milieus and cultural scenes in contemporary urban spaces. The organizers of that publication were surprised by the great quality and interest of the proposals for papers which were presented, even if many of them were not focused specifically and directly on the “creative milieus” and “urban scenes” approach they were looking for. Interestingly, many of the papers raised the issue of the relation between urban interventions (particularly street art approaches) and public space. That was so stimulating that the authors, drawing also upon previous work on that area, decided to give birth to another project, complementary to the edition of the original idea of book, which would be specifically focused on issues of urban interventions, street art and public space. For that, they joined Pedro Soares Neves, which have been working for years in the field of street art and urban interventions, is executive director of Urbancreativity international research topic on Graffiti, Street Art and Urban Creativity. The diversity of contributions put together in this book acknowledges the variety of debates and perspectives that mark contemporary discussions on the relation between art and public space, with particular reference to the case of graffiti and street art, which attracted most of the contributors that came from various disciplines and backgrounds.
- Paperback: 174 pages
- Publisher: Pedro Soares Neves (February 1, 2017)
- Language: English
- ISBN-10: 9899771260
- ISBN-13: 978-9899771260
- Product Dimensions: 8 x 0.4 x 10 inches
- Hardcover: 392 pages
- Publisher: Harry N. Abrams; 2 edition (Sept. 1 2009)
- Language: English
- Product Dimensions: 23.2 x 3.8 x 24.1 cm
Street Art books
Memories of Dismaland is my extensive full color photo diary of the amazing temporary pop up theme park erected by Banksy and 58 other artists set up in the seaside resort town of Weston-super-Mare in Somerset, England. Prepared in secret under the guise of constructing a movie set for a Hollywood film company filming a crime thriller called “Grey Fox”, the pop-up exhibition at the Tropicana, a disused lido, was clearly a sinister twist on Disneyland, although Banksy denied any relationship to Disney and actually banned Disney associates from the park that opened during the weekend of 21 August 2015, ran 36 days and closed permanently on 27 September 2015.
On the walls of alleys and abandoned buildings, on chain link fences and trash cans, on utility and traffic signal boxes – this is global street art, as photographed by Lou Chamberlin. The images jump off the streets and into the pages of Lou's book, as her photographs document the walls making waves in cities from London to Berlin, Sydney to Lodz, Dublin to Rio, and Tokyo to New York.
This is an important new sourcebook for street artists, revealing not just the latest, exciting art happening around the globe, but also the collaborations and communities supporting the movement.
Meet 20 of the most creative, original street artists from around the world—including Banksy. Art has moved from the museum into the streets, with visionary artists using their creativity to convert the spaces of everyday life and, often, to address social and political issues. Journalist Alessandra Mattanza interviews 20 of the most renowned figures in the street-art scene, from painters to sculptors to stencilists, who reveal their stories and their inspiration. The international roster includes: Aryz, from Barcelona, Spain, who creates elaborate murals on buildings and trucks; São Paulo graffiti artist Nunca (Francisco Rodrigues da Silva), who began painting at 12 years old; Shepard Fairey, renowned for his poster of President Obama; EVOL, from Berlin, who specializes in producing miniature buildings and installations; Fauxreel, whose photography-based work explores themes of homelessness; and Swoon, who combines art with social action through her nonprofit. Chris Versteeg, an expert in graphic design, provides a detailed historical introduction to this popular, omnipresent form of contemporary art.
Painted murals first appeared in Latin America in the early 20th century; in the 1950s, spray-can graffiti associated with Latino gangs followed, notably the “cholo” graffiti of Los Angeles. Today, street art has traveled to nearly every corner of the globe, evolving into a highly complex and ornate art form. The World Atlas of Street Art and Graffiti is the definitive survey of international street art, focusing on the world’s most influential urban artists and artworks. Since the lives and works of urban artists are inextricably linked to specific streets and places, this beautifully illustrated volume features specially commissioned “city artworks” that provide an intimate understanding of these metropolitan landscapes.
Organized geographically by country and city, more than 100 of today’s most important street artists―including Espo in New York, Shepard Fairey in Los Angeles, Os Gêmeos in Brazil, and Anthony Lister in Australia―are profiled alongside key examples of their work. The evolution of street art and graffiti within each region is also chronicled, providing essential historical context. With contributions by the foremost authorities on street art and graffiti, this landmark publication provides a nuanced understanding of a widespread contemporary art practice. The World Atlas of Street Art and Graffitiemphasizes urban art’s powerful commitment to a spontaneous creativity that is inherently connected to the architecture of the metropolis.
In recent years street art has grown bolder, more ornate, more sophisticated and—in many cases—more acceptable. Yet unsanctioned public art remains the problem child of cultural expression, the last outlaw of visual disciplines. It has also become a global phenomenon of the 21st century.
Made in collaboration with featured artists, Trespass examines the rise and global reach of graffiti and urban art, tracing key figures, events and movements of self-expression in the city’s social space, and the history of urban reclamation, protest, and illicit performance. The first book to present the full historical sweep, global reach and technical developments of the street art movement, Trespass features key works by 150 artists,and connects four generations of visionary outlaws including JeanTinguely, Spencer Tunick, Keith Haring, Os Gemeos, Jenny Holzer, Barry McGee, Gordon Matta-Clark, Shepard Fairey, Blu, Billboard Liberation Front, Guerrilla Girls and Banksy, among others. It also includes dozens of previously unpublished photographs of long-lost works and legendary, ephemeral urban artworks.
- Unpublished images of street art by Keith Haring and Jean-Michel Basquiat
- Unpublished photographs by Subway Art luminary Martha Cooper
- Unpublished photos from the personal archives of selected artists
- Incisive essays by Anne Pasternak (director of public arts fund Creative Time) and civil rights lawyer Tony Serra
- Special feature: exclusive preface by Banksy
Street art and graffiti are a familiar sight in all our cities. Giant murals commemorate historical events or proclaim the culture of a neighborhood, while tagged walls can function simultaneously as a claim to territory and a backdrop for an urban fashion shoot. Street Art World examines these divergent forms and functions of street art. This strikingly illustrated book explores every aspect of street art, from those who spray it into being to those who revel in it on Instagram, from its place under highway overpasses to one on the austere walls of high art museums. Drawing on over twenty years of research, she juxtaposes the rise and fall of art markets against the vibrancy of the street and urban life, providing a rich history and new ways of contextualizing the words and images—some breathtakingly beautiful—that seem to appear overnight in cities around the world.
Discover the street art scene in London, Melbourne, San Francisco and 39 other cities around the world through vivid photography. From Banksy’s stencils and Invader’s mosaics to amazing murals, this insider’s guide provides practical details and maps of where to find secret stashes of street art, and introduces key artists, festivals and locations.
Street art is now present in almost every city, town and village in the world, from Aachen to Zwolle. Its true audience is measured in the billions. And given that the first record of homo sapiens painting on walls is thought to date back around 40,000 years, it’s surprising that street art has taken so long to flourish.
Today, the proliferation of legal walls and organised festivals around the world makes it possible to encounter thought-provoking, transformative art in the most unexpected of places.
This visual guide to the world of street art takes in the scene in over 40 cities and includes interviews with some of the most prolific and well-known street artists, including Blek le Rat, FAILE and Faith47. And with hundreds of locations plotted and a special focus on 15 of the world’s most incredible street art festivals, this guide will help you discover artworks hidden in plain sight around the world.
Ever since he picked the graffiti name Shoe in 1979, Niels Meulman has been carving out his own path towards the international art world. Being a graffiti pioneer from Amsterdam, he worked with American counterparts such as Dondi White, Rammellzee and Keith Haring in the 1980s. He made the transition from the streets to fine art with a unique fusion of calligraphy and graffiti, which he named Calligraffiti. This soon became a worldwide phenomenon and now plays a significant role within Urban Contemporary Art. It also sparked the catchphrase 'A word is an image, writing is painting'. In recent years Niels Shoe Meulman moved towards a style he calls Abstract Vandalism. Influenced by the great painters of Abstract Expressionism, his work has been shown in count-less exhibitions all over the world and is included in the permanent collections of museums and private collections.`Shoe Is My Middle Name celebrates three decades of art by a legendary graffiti artist, painter, writer, designer and calligrapher. A striking book that offers an overview of his career, showcasing his evolution through a masterful mixture of paintings, murals, poetry, interviews, graphics and insights about his identity as an artist and art itself.
Jean-Michel Basquiat and his unique, collage-style paintings rocketed to fame in the 1980s as a cultural phenomenon unlike anything the art world had ever seen. But before that, he was a little boy who saw art everywhere: in poetry books and museums, in games and in the words that we speak, and in the pulsing energy of New York City. Now, award-winning illustrator Javaka Steptoe's vivid text and bold artwork echoing Basquiat's own introduce young readers to the powerful message that art doesn't always have to be neat or clean--and definitely not inside the lines--to be beautiful.
Explore the geography of genius in Desperately Seeking B**ksy, a pocket-sized, smaller sibling of Where’s B**ksy that illuminates the interaction between artist and space. Where its predecessor featured in-depth analysis of each piece displayed, Desperately Seeking B**ksy offers accessibility and brevity for the more casual fan. The maps are streamlined, and analysis has been replaced by individual quotes that offer insight into the inspiration behind each piece. The artwork selection is up-to-the-minute, featuring 2017’s Bridge Farm Primary School and The Walled Off Hotel.With a size and price point perfect for gifting or impulse buying, it makes Banksy’s work available to a wider audience than ever before.Like the other titles in the Desperately Seeking series, Desperately Seeking B**ksy looks at a major cultural icon from a brand-new perspective, providing context for his work and legacy.
This beautifully designed book showcases the work of nine pairs of New York City’s finest graffiti and street artists, delving deep into their backgrounds, techniques, and collaborative processes. Each duo consists of artists with unique styles who come together to create a larger-than-life work of street art in a neighborhood in New York, the birthplace of modern graffiti. Witness the immense creative potential of collaborations that have produced stunning examples of classic graffiti, collage work, screen printing, and murals. Each chapter provides access to a mysterious underworld, leading readers to secretive meetings of creative minds out of which ephemeral, yet nonetheless remarkable, works are born and later transferred onto walls, rooftops, trucks, and subway platforms. The combination of revealing interviews and colorful action photography produces a narrative arc of relationships—formed between individuals from diverse backgrounds and creative upbringings—that follows the artistic process from creative spark to collaborative masterpiece.
In December of 2006, there was a three-day art show called Wooster on Spring featuring nearly 100 well known street artists from all over the planet. The event was to celebrate Eleven Spring Street, a key destination for international street art. Featured in the show was famous artist Shepard Fairey, as well as artists Swoon, JR, prune, Doze Green, above among others. This book celebrates the 10th anniversary of the Wooster on Spring show. If you like street art, this book is for you.
Children of the Can: Bristol Street Art and Graffiti is the follow-up to 2008's hugely successful Children of the Can: 25 Years of Bristol Graffiti. What started out as a straightforward second edition quickly took on a life of its own and has grown into a new project. Since the initial publication of Children of the Can the Bristol graffiti scene has seen the emergence of many new artists and events, cementing Bristol's status as one of the UK and Europe's most influential cities in the street art movement.
With more than 60 added pages and more than 20 new artists and events Children of the Can: Bristol Graffiti and Street Art gives a comprehensive A- Z of some of the biggest names in Bristol graffiti. Including: 3D, Banksy, Cheo, China Mike, Filthy Luker, FLX, Haka, Inkie, Jeff Row, Jody, Lokey, Mr.Jago, Mudwig, Nick Walker, Rowdy, Sickboy, Soker, What Collective, Will Barras, The Z-Boys and many more
Author Felix 'FLX' Braun started writing graffiti in the mid-80s and grew up with the Bristol scene painting alongside the likes of Inkie and Nick Walker. He continues to live and paint in the city and has unrivalled access to the artists and their work. Here, they tell their stories in their own words. Many of the images in Children of the Can have never before been published and many have been provided from the artists' sketchbooks and private collections. The book is the definitive collection of Bristol graffiti, containing several hundred images.
Hardcover, 352 pages
Future/Memory is a book about the exhibition with the same name, organized in Dresden, Germany at HELLERAU - European Center for the Arts Dresden, during the summer of 2013.
The book shows the nature of the work of artists like Boogie, Martha Cooper, Cody Hudson and Horfée - artists that all stems from, and get their inspiration from street culture and urban environment.
The artists express their creativity in different techniques and on different subjects. Wasted objects lying in the street are turned into sculptures; images of children playing in the Bronx are transformed into timeless testimonies of the 1980s. Graffiti are converted into abstract and conceptual art, and a blank wooden wall becomes a contemporary vision of an archaic altar.
Future/Memory condenses images of the past and the future taken from human urban surroundings and enlightens the importance of the artistic dialogues, their gestures and energy of street life.
Most of the exhibited works were created on site, ranging from painting, photography, sculpture, installations and conceptual art.
Future/Memory is an innovative and exciting dialogue between street culture and contemporary art featuring some of the most internationally renowned artists and photographers.
The artists featured in Future/Memory are Boogie, Martha Cooper, Horfée, Cody Hudson, HuskMitNavn, Cleon Peterson, Jay “One” Ramier, Skki and SuperBlast
Walled City makes plain why large-scale outdoor paintings have become so widely admired and accepted. The level of talent, skill and execution has elevated the oversized mural in our collective consciousness. Featuring the best work of more than 40 artists from every corner of the planet, Walled City clearly shows that large scale murals have established themselves as a new pillar of urbanism. The installation processes are often as interesting as the paintings themselves. These intrepid artists deftly utilize paintbrushes, spray cans, stencils and wheat paste to install their work, often risking life and limb. Outdoor paintings and murals arent a new phenomenon, but their scale importance to contemporary visual culture is clearly on the rise.
The fine art of calligraphy found its way into the graffiti and street art scene. This event marks the birth of the so-called calligraffiti genre. That's why we present you with a comprehensive book: the The Art of Writing Your Name Book.
Under the motto of 'visualisation of the word' this book treats the beginnings and all forms of this new genre with the help of well-known artists, like Chaz Bojorquez, JonOne, CRYPTIC, and of course the pioneer of calligraffiti himself Niels SHOE Meulman.
This book contains no less than 35 artists of more than 3 generations and uncountable nations and shows their work and different styles with high-quality and well located and perfectly shooted pics.
Everything from street to gallery, or from asphalt to canvas is represented in means of location and surface. But also the various tools used by the artists will suprise or even stun you.
For artists and fans alike, who are keen to know the latest trends, this book is obligatory.
The first major, in-depth retrospective monograph on JR, the enigmatic and anonymous Parisian photographer, artist and activist behind some of the world's most provocative large-scale public photography projects.
Created in close collaboration with JR, this book includes all bodies of his work, his collaborations with other artists and institutions such as the New York Ballet and previously unpublished behind-the-scenes documentation of his studios in Paris and New York, where he and his creative collaborators live and work.
Introducing JR’s story is a specially commissioned graphic novel by comic artist Joseph Remnant, which charts his phenomenal rise from his street artist roots.
Size: 290 x 250 mm (11 3/8 x 9 7/8 in)
Pages: 296 pp
Illustrations: 500 illustrations
Bold public artwork. Events and tours with internationally known artists and thinkers. A space dedicated to creative conversation and idea generation. Welcome to Open Source.
A response to major public art events like Miami’s Wynwood Walls, Prospect New Orleans, Germany’s documenta, and the myriad street festivals injecting creative energy into cities around the globe, Open Source advanced worldwide recognition of Philadelphia as a culturally innovative and global city. The project was uniquely about Philadelphia: the civic challenges and opportunities it faces, and the outcomes of collaborative thinking. Mural Arts Philadelphia’s public art exhibition, curated by Pedro Alonzo, brought 13 trailblazing artists from around the world to Philadelphia for groundbreaking projects that illuminated the city’s diverse public identity, including Ernel Martinez & Keir Johnston, Odili Donald Odita, Shepard Fairey, Momo, SWOON, Jennie Shanker, JR, Sam Durant, Michelle Angela Ortiz, Jonathan Monk, Heeseop Yoon, Shinique Smith, and the Dufala Brothers.
Features essays by project curator Pedro Alonzo, Teddy Cruz and Jane Golden.Published by Mural Arts Philadelphia 168 pages, Paperback 7 1/2" x 10" ISBN: 9780990387046
One of the most successful street art series ever published with 100,000 copies in print, Art of Rebellion was the originator, presenting the finest artwork ever created by artists on the street worldwide. Now at long last comes a new volume featuring approximately 100 artists with their personal favorites — innovative work in a variety of media that arrests our attention and transforms our cities into open air museums. Artists featured include Dave the Chimp, SPY, KR, Swoon, Vhils, Stak, Jordan Seiler, Leon Reid, Ripo, PMH, Akroe, Sat One, Egs, Mysterious Al, Nuria Mora, Mambo, Eltono, Paul Insect, Dotsy, Toasters, Felipe Pantone ,Graphic Surgery, SPY, HuskMitNavn, Ox, Ermsy, Jace, L‘Atlas, *G, Space Invader, Vlady Art, Skewville, WK Interact, Dmote, Nomad, Mark Drew, The Wa, Ji Lee, Stain, Roadsworth, M-City, Kami & Sasu, East Eric, Supakitch, Koralie, Bo & Microbo, Bla+ and many more.
Published by Publikat
9 1/4" X 11 3/4"
Where’s Banksy? fully captures the drama of this illustrious artist’s exploits on the world stage with clever chronologically-arranged maps. The only survey that looks at Banksy’s entire street art career, from his earliest works in 2002 through Dismaland and to the present, the book details his most significant works one piece at a time, with photos and in-depth analysis of the history of each work as well as its often-deeper meaning. A modern day Robin Hood, Banksy’s public persona has grown to mythic proportions, making his actual identity irrelevant. And yet, he can be found in his art — work that is recognizable and accessible — stylized social commentary for the masses. This stunning new book is the ultimate introduction to the work of this brilliant artist and social pioneer.
Tony Rubin Sjöman is one of Sweden’s leading contemporary street artists. The art book Rubin: New York / Scandinavia showcases his large scale geometrical murals and brings you to the New York City expat’s studio in Brooklyn. It is a book about art but also about contrasts: beauty versus ugliness, grief versus resolution, the metropolis versus the wilderness.
Tony Rubin Sjöman grew up in a Finnish immigrant home in Gothenburg, Sweden. Today he resides in New York City, where his signature murals can be seen all over the city, from gritty factory walls in the Bronx, to churches in Brooklyn and upscale shopping districts in Manhattan – all bind together by his abstract patterns, reminiscent of Scandinavian design and the brutal architecture of the housing project where he grew up.
Rubin was nine years old when he wrote his first tag. Surrounded by grey concrete and tram tunnels, the walls whispered his name. He grabbed a spray can and set out on a journey that he’s still on today. The move to New York altered his perspective and allowed him to work in a more tolerant environment than that of Gothenburg, where the zero tolerance policy against graffiti has long been the norm. Rubin deconstructed his form of expression, discarded the lettering and perfected his shapes, hence creating a unique aesthetic that carries the art form beyond its boundaries. Rubin’s art is about beauty and grief, alienation, struggle, balance, energy, the cityscape versus wilderness and the notion of class. It’s about a child’s fascination with a magical art form.
“I’m inspired by the contrast between New York City and the wilderness of Lapland, where I have spent the summer months ever since I was a child. Finnish design, such as Marimekko textiles and Alvar Aalto mugs were pretty much basic household items in Finnish working class homes when I was a child but it wasn’t until much later that I learned about architecture and the likes of Eero Saarinen, Alvar Aalto and Matti Suuronen, and they have all inspired my work. I’m also inspired by the almost Neo-futuristic concrete surroundings of Bergsjön, the neighborhood where I grew up, and that I used to consider ugly – the patterns on the balconies, the shapes of the concrete at the tram stops and the water tower that is shaped like a giant UFO.
While Rubin's abstract and geometrical pieces are rooted in traditional graffiti, they break the rules of the craft with their muted color palette and Scandinavian clean lines. The bookRubin: New York / Scandinavia takes you inside his studio, to art galleries and on a journey through the streets of New York City.
RUBIN: New York / Scandinavia is published by Dokument Press, a market leader in the field of quality books on urban culture and street art for more than 15 years.
Texts by Björn Almqvist, the author of several books on graffiti including Writers United and Graffiti Burners.
Design: Miika Tuomivuo
This Is Not a Photo Opportunity is a street-level, full-color showcase of some of Banksy’s most innovative pieces ever. Banksy, Britain’s now-legendary “guerilla” street artist, has painted the walls, streets, and bridges of towns and cities throughout the world. Once viewed as vandalism, Banksy’s work is now venerated, collected, and preserved. Over the course of a decade, Martin Bull has documented dozens of the most important and impressive works by the legendary political artist, most of which are no longer in existence.
Lost or forgotten were the walls that now proudly carry the messages of calligraffiti artist eL Seed. "Lost Walls", his first book, beautifully and poetically documents these walls, handpicked during his road trip around Tunisia. "Lost Walls" is a calligraffiti journey of discovery for eL Seed, who chronicles the painting of 24 walls in four weeks. Inspired by the reaction to his largest project to date, the minaret of the Jara mosque in his ancestral home of Gabes, eL Seed decided to set out on this month-long personal journey across his motherland, painting "lost" walls along the way. This book provides unique and rare insight into the world of calligraffiti and the Tunisian people.
The art of urban calligraphy, an avalanche of visual poetry and poetic visuals, now in vivid full color. Meulman's iconic new art form, Calligraffiti, has attracted followers within graphic design, architecture, typography, advertising, calligraphy and graffiti. Sharing an interest in the visual arts and an appreciation for print, they understand that a word is an image. Here Meulman expands his ever-evolving artistic territory to include wild paintings and fine art.
Six case studies, conducted in New York City, Trenton, and Jersey City, explore how graffiti murals are created and what role they play in cities where buffing illegal graffiti is a lucrative business. The author interviewed people affected on a daily basis by the murals at sites around the metropolitan area, including property owners who have welcomed the muralists in hopes that the artwork would serve as a deterrent to vandalism—and provide a more aesthetically pleasing alternative to buffing. This analysis, informed by cultural Marxism and supported by street photography, suggests a radical departure from traditional New York City policy: instead of spending money exclusively on the elimination of illegal graffiti, resources should also be devoted to the creation of graffiti murals. In the end, graffiti removal teams and mural promoters are pursuing the same goal: making the city a more visually appealing place.
Size: 10″ x 7″ | 78 color photos | 144 pp
ISBN13: 9780764348990 | Binding: hard cover
Santiago, with its deeply evolved and extremely active underground graffiti scene, bursts at the seams with an abundance of eye-popping, jaw-dropping murals. Stencil graffiti artist Lord K2 documents 14 neighborhoods within the capital of Chile with his arresting photography and intimate conversations with local artists. Through more than 200 images and 80 interviews, learn how street art was influenced by American, European, and Brazilian graffiti and how its evolution runs parallel to the political history of the nation itself. During the Cold War, nationalist muralist brigades spread socialist idealism through symbols of power and oppression. Santiago’s repressed lower classes gradually usurped the art form, and murals eventually became a weapon of resistance. This vibrant city, with its array of distinct cultural districts, now invites you to experience its fascinating and tightly knit artistic community that has flourished since the fall of Pinochet’s dictatorship in 1990.
Size: 9″ x 9″ | 229 b/w & color photos | 184 pp
ISBN13: 9780764349270 | Binding: hard cover
This firstinstallment in a four-part series is a celebratory tour of some of the mostvibrant, impressive, contemporary mural art in the world. Fifty artistsfrom six continents share nearly 400 examples of their best work and a littlebit about their own lives and journeys as muralists. The criteria for inclusionin the book was simple: the artists had to be full-time muralists who push theboundaries of the art form and engage with the medium as a vital social concept.Many of these artists don’t have homes; they travel the globe, entering foreigncommunities and cultures, and find shelter from hosts of festivals or artlovers. It’s this dedication to their craft that sets this breed of artistsapart from traditional artists, such as painters and sculptors, but their levelof commitment is also what bridges the worlds of fine art and street art.
Size: 11″ x 8 1/2″ | 273 color photos | 216 pp
ISBN13: 9780764350016 | Binding: hard cover
210 Pages, full color, hardcover.
of contemporary art. Today, young artists are going beyond their work on the streets to present their innovative styles in galleries. They are aspiring to follow in the footsteps of stars of the scene such as Shepard Fairey, Faile, and Os GÃªmeos, who have already exhibited their work in renowned museums including the Tate Modern and Fondation Cartier. Walls & Frames documents the work of this next generation of street artists. The book presents the evolution of these ambitious talents, who are keeping their connection to the street alive while establishing themselves in the art market with work in traditional formats such as painting, sculpture, installation, and prints. It shows how artists who work with limited time and a small selection of tools on the street are developing other styles, concepts, and techniques in the studio that are, in turn, influencing the direction of contemporary art. Interviews with the artists and other insiders as well as an insightful text by the curator Maximiliano Ruiz illuminate the context, working methods, and perspectives involved in this inspiring scene. Walls & Frames takes a detailed and authentic look at the intersection of young street art and contemporary art. Its fresh outlook appeals to those familiar with these developments and new to the scene as well as to a wide
range of artists, collectors, gallerists, journalists, and designers. The book presents current work by artists from around the world including AJ Fosik, Alexandros Vasmoulakis, Alexone, Amose, Andrew McAttee, Anthony Lister, Axel Void, Ben Frost, Blek le Rat, Bom-K, Boris Hoppek, Calma, Conor Harrington, Dan Witz, Dave Kinsey, Dixon, Docteur Gecko, Doze Green, Dran, Eelus, Eine, Elbow Toe, Evol, Fefe Talavera, Gaia, George Morton, Herakut,
Herbert Baglione, Interesni Kazki, Jay-Bo, Jeremy Fish, Joram Roukes, Jorge Rodr'guez-Gerada, JR, Judith Supine, Kevin Cyr, L'Atlas, Logan Hicks, Mark
Jenkins, M-City, Mac, Maya Hayuk, Meggs, Miss Bugs, Miss Van, Mr. Jago, Nicholas Di Genova, Nunca, Okuda, Other, Paul Insect, Pedro Matos, Pose,
Remed, Remi-Roughe, Ripo, San, Sowat, Sten & Lex, Tilt, Vhils, VitchÃ©, Wendell McShine, Will Barras, and Zosen.
156 pages, Hardcover, 9 1/4'' x 12'' (235 x 305 mm, 134 color illustrations, English- The last decade has seen the rise of artists who have rejected academia to embrace urban culture as their inspiration. The exhibition Viva la RevoluciÃ³n: A Dialogue with the Urban Landscape represents the pinnacle of this progression through an epic convergence of 20 artists from around the world.
160 pages, full color, hardcover.
Vhils is undoubtedly one of the most skilled and talented young artists on the urban art scene today. He creates technically masterful, contemporary portraits by not only adding paint or other materials onto surfaces, but also carving, drilling, scratching, ripping, or blasting his images out of walls. With nothing less than archeological meticulousness, Vhils penetrates through countless layers of posters, dirt, and plaster to set free the unsettlingly poetic images hidden in urban spaces.
Vandals is Nils MÃ¼ller’s new book. Like his first publication, BlÃ¼tezeit, it depicts the curiously global phenomenon of graffiti on trains – a movement that remains illegal even as it penetrates the world of mainstream art.
Vandals provides insight into a hidden movement that is dangerously appealing. Instead of simply photographing the finished works, MÃ¼ller documents the process behind it. Across 192 pages, Vandals reveals the atmosphere, emotional tension, passion and teamwork behind each act of urban vandalism.
Format: 30 x 24 cm
160 pages, hardcover- Urban Recreation: City Art by Akay and Peter. This book shows you the work of this artist duo from Sweden. Graffiti, installations, constructions... their art is truely amazing and beautify the city they leave their mark in. A must have book!
288 Pages, full color, hardcover: This book is a striking collection of the personal, often playful and thought-provoking installations in urban environments that use and react to walls, traffic signs, trees, ads, and any and all elements of the modern city. It is the first book to document these very current art projects – as well as their interplay with fine art, architecture, performance, installation, activism and urbanism – in a comprehensive way. This perceptive work brings art to the masses and helps us to rediscover our every day surroundings. It challenges us to question if the cities we have are the cities we need while adding a touch of magic to mundane places and situations.
216 pages, hardcover- Berlin is a particularly strong magnet for international street artists and its landscape is filled with artwork and signatures that are inventing new visual codes. But the impressions that these artists leave are inevitably fleeting as their art falls victim to the city’s unrelenting development. Luckily, the book Urban Art Photography serves as a permanent documentation and time capsule of both the creation and evolution of these constantly changing images.
192 pages, hardcover- Brilliant images of graffiti collected from all over the world and preserved here before the legions employed to destroy them and chip them off the walls. This is art driven by existential hunger, art that attacks you only if you are lame, art that inspires mystery and creativity. 11 Spring St NY was a much-loved site that became a graffiti landmark. Before it was redeveloped it inspired acts of love and passion: Lou Reed made it the subject of a poem and Untitled preserves it in all of its glory. Includes works by Banksy, Faile, Dface, Swoon, Bast, Blu, Blek Le Rat, Obey, Dolk, Eine, Gaia, Elbowtoe, Hush, Copyright, Mir, Dan Witz, Space Invader, Armsrock, Doze Green, Know Hope, Skullphone, WKInteract, Skewville, Borf, Ame72, Sam3, Eelus, Miss Bugs, Rene Gagnon, The London Police, Michael De Feo and many more.
160 pages, hardcover- For years, French photographer Le Bijoutier has roamed the five boroughs of New York City, documenting street art as it has developed over the past decade. Unlike graffiti writers, whose bombing campaigns mark them in the public eye as vandals, the work of street artists is celebrated as progressive. Many make their name first on the streets before hitting the gallery world. But before they move on, LeBijoutier has caught them in all their illegal glory. In This Means Nothing, his first book, Le Bijoutier chronicles these works in sticker, chalk, marker, stencil, wheat paste poster, painting, and even sculpture, revealing a new direction in public destruction for the sake of aesthetic construction. The war continues''¦
Hardcover, 30x30 cm, 144 pages
For memory can stumble and fall, disappear any minute as the elder leave us, JR shows us that it is important not to forget what the elder have to pass to the young ones. Without judging, JR just gives us bits of History pages in an artistic, yet poetic, social and above all human way.
JR takes his Wrinkles of the City project to Shanghai where the last century has been full of ups and downs : from the Japanese occupation, the establishment of the Communist Party, The Liberation, World War II, the end of the foreign concessions, the victory of Mao Zedong over the General Tchang KaÃ¯-Chek’s troops, the Cultural Revolution, the Great Leap Forward to the actual development of the city ...
208 pages, Paperback, 8 1/4'' x 10 1/4'' (210 x 260 mm), color illustrations throughout, English- Since the publication of The Art of Rebellion 1 – World of Street Art in 2002, the street art genre has exploded into the mainstream. The author, Christian Hundertmark, also known as artist C100, has been inside the scene since day one — which enables him to have first-class info about what’s fresh in the street art world.
208 pages, hardcover- The second edition of The Art of Rebellion is a very large book (compared to the smaller first issue) with even more artists featured and tons of new pictures. If you dig "street-art" culture, this book is definitely your bible. With each artist profile, you will find interviews and comments by the artist about its work. Here's a very incomplete list of the artists featured in this book: Roadsworth, Miss Van, Kid Acne, Faile, Blek le Rat, Dr.D, Akayism, Heavyweight, Matt Sewell, L'Atlas, G, Zevs, 56k, Stak, Erosie and MANY others. Highly recommended to all street-art lovers.
Street Talking is a massive accumulation of graffiti and street art photographs taken over the last decade by photographer Mike Popso. Exploring a cross-continental swath of urban areas, Popso captures hard-to-reach spots where there is an explosion of bright color and brighter ideas on canvases ranging from abandoned schools in Detroit to the back alleys of Istanbul, Turkey. From illegal tagging under ground to the commissioned productions above ground, Street Talking documents works by an entirely new generation of “writers” and artists under the influence of yesterday’s masters. An artistic platform for today’s global voices in street art, Popso’s compilation features works by The MSK Crew and other cutting edge artists working in Detroit, New York, the West Coast, and Europe—a must have for all street art collectors, practitioners, and enthusiasts.
Size: 11 3/4″ x 9″ | 556 illustrations | 256 p
p''¨ISBN13: 9780764341991 | Binding: hard cover
128 pages- Graffiti and street art have been at the heart of visual subcultures for the past thirty years. However, as time progresses the new wave of artists are moving in fresh directions. Corporate giants have been quick to jump on the graffiti bandwagon, perceiving it as a shortcut to youth culture. Even street stickers have been highjacked by the multinationals for advertising.Frustrated by wholesale corporate theft of the scene, the latest generation of street artists are employing different techniques in their work, different means of dissemination, different materials, different ways of getting their work noticed. Using the detritus of the urban environment—advertising, fly-tipped rubbish, street signs—the new scene is subverting the streetscape in 3D to shock, educate, and entertain. This book documents the new graffiti with photographs of the work and interviews with major players around the world.
304 pages, hardcover- With 600 stunning photographs, this comprehensive book showcases more than three decades of street art in San Francisco's legendary Mission District. Beginning in the early 1970s, a provocative street-art movement combining elements of Mexican mural painting, surrealism, pop art, urban punk, eco-warrior, cartoon, and graffiti has flourished in this dynamic, multicultural community.Rigo, Las Mujeres Muralistas, Gronk, Barry McGee (Twist), R. Crumb, Spain Rodriguez, the Billboard Liberation Front, Swoon, Sam Flores, Neckface, Shepard Fairey, Juana Alicia, Os Gemeos, Reminesce, and Andrew Schoultz are among the many artists who have made the streets of the Mission their public gallery. Essays and commentaries by insiders involved with the movement document the artistic, social, and political forces that have shaped Mission Muralismo.
176 pages, hardcover- Bringing together a stunning array of antiwar, anti-Bush, and anti-Blair graffiti from the United States, Canada, Europe, Middle East, Japan, and Australia, this gritty, controversial collection captures many unique images which have survived only a few hours between execution and clean-up. Including a chronology of opposition to the war organized by continent, and commentaries by the graffiti artists themselves, this work constitutes an essential record of political opposition since 9/11. Every major city is featured, including London, New York City, Paris, Tokyo, Milan, Baghdad, Tehran, Berlin, Munich, Marseilles, San Francisco, Los Angeles, Sydney, Melbourne, and more.
192 pages, softcover- Stunning and vibrant artwork can be found on buildings, sidewalks, street signs, and other surfaces in cities from New York to London to Barcelona. Street Art presents a comprehensive overview of this movement that began in the late 1960s with anonymous spray-can art in New York and Philadelphia and that has since grown into a cross-cultural phenomenon over the last four decades. Street Art begins with an explanation of the difference between street art and graffiti, along with new trends and styles. Each medium is then explored in a different chapter''”stickers and posters, stencils, textured surfaces, traffic signs, buildings and furniture. Also included are chapters on street art characters and panoramic murals. Woven throughout are biographies of the artists''”all internationally known''”and an interview with each one. Street Art is an exciting look at an art movement that has been around for decades but that is just now beginning to emerge in the mainstream.
144 Pages, Paperback- Until recently, art made in the street and art made within the institution had mutually excluded each other. Graffiti writers have mastered their medium like modern painters but because it did not emerge from a studio it was not considered to be ''real art'' by the critics. Still On, a catalog of a street art exhibition by the Von Der Heydt Museum Wuppertal in Barmen, Germany-, makes the case for graffiti as contemporary art. Beyond notions of vandalism and interventions in public space, graffiti and street art is a dialog between artists and their immediate environment. This exhibit examines how each artist responds to the confines of the Ruhmenshalle Gallery and how the vitality of their work translates successfully to the museum with out losing any of its power or integrity. With works on canvas, installation and painting directly on the gallery walls by Tasek, OS GEMEOS, Herbert Baglione, TILT, MISS VAN, Mirko Reisser, Pius Portman, Stohead, ZEVS Daniel Man, and Heiko Zahlman.
160 pages, hardcover- On October 27 2006, when Mexican police opened fire on a crowd of protesters in the city of Oaxaca, killing three people, including American journalist Brad Roland Will, the world became aware of a social conflict that at its core was about the right to an education. Within hours of these shootings, graffiti calling the region's governor a murderer was sprayed throughout the city. Unlike in other cities where graffiti is recognized as a form of public art, in Oaxaca, graffiti became a way of achieving social justice through community organization. And because teachers in Mexico are primarily women, the graffiti is very much inspired and made by women. Shot by Elaine Sendyk in 2007, the photographs in this book depict oppression, empowerment and the messages of struggle and revolt.
144 pages. In just a few years, Swedish street art has boomed. Anonymous artists have been using the city as a playground, and its streets as their parliament. Street art raises questions, but once it reaches the audience, there are no answers. How does the urge to feel responsible for your immediate environs arise? Why are some expressions within street art more accepted than others? Why do so few women choose to work in public space? How is this art affected by advertising? Playground Sweden gives the answer through the accounts of 30 of Sweden's most interesting street artists. Playground Sweden is a travel report through text and image, abook on contemporary Swedish art that refuses to follow conventional rules. Richly illustrated with unique pictorial material that will show you not only the finished product, but also the creative process of street art.
Such innovators are showcased as Antony Micalleff (featured in The New York Times and Dazed and Confused and collected by Angelina Jolie), Brooklyn-based international artist collective Faile, Parisian artist JR (known only by his initials because of the illegal nature of his work), and Conor Harrington. Debuting completely new material, Tank Girl and Gorillaz cocreator Jamie Hewlett is also one of the 20 prominent artists featured. An essay by Damien Hirst, one of the most controversial and influential artists of the 21st century, is included.
- 264 pages
650 pages, hardcover- New York and Barcelona have become the street art capitals of the world, with graffiti, stickers, stencils, and posters turning the urban scenery into outdoor exhibition galleries. NYC''“BCN explores the the ephemeral street art in these two cities, making it a unique and historical record of an ever''“changing creative movement.
256 pages, hardcover: One could argue that today’s most innovative street artists come from Latin America. The unique visual styles of Os GÃªmeos, Bastardilla, VitchÃ©, Saner, Jorge Rodriguez Gerada, and others are not only highly respected in the international art scene, but their work has also been exhibited at renowned museums including the Tate Modern and Fondation Cartier.
160 pages, paperback- Berlin based graphic designer SUPERBLAST was immersed in the world of punk rock and skateboarding when he discovered graffiti in 1990 and quickly became addicted to the energy and vitality of the street art underground. As a logical evolution of writing with spraypaint, he started a career as graphic designer in 1999. While studying graphic design, he freelanced for several urban brands, had solo and collective art shows. In 2004 he honed his skills in the beautiful craft of creating letters, by attending lessons in Fontdesign from the world-famous Luc(as) de Groot. His unique iconic style and use of color in illustrations, lettering and wall pieces lead him to projects with some of the most interesting and innovative artists and companies in his field. Most notable are his collaborations with Playstation Portable, Ecko Unltd, Volkl Skateboards, Montana Cans, and many more. SUPERBLAST has designed clothing, graphics, magazine ads, and skateboard decks. Neo Utopia –The Art & Work of Superblast is a fascinating career retrospective from a pioneer of the European graffiti world. Included is a personal selection of graphic design work, graffiti, illustration, ad campaigns, logo design, typography and related art of the past 17 years as well as sketches and full color photos of work in progress.
200 pages, color, hardcover. 300 illustrations & photographs,
28.5 x 21 cm (11.22 x 8.27 inches)
Muralismo Morte reveals the vibrancy of a new type of muralism as it rises from the shadows of urban spaces in metropolises worldwide. From much celebrated pieces in prominent places to those hidden in anonymous, decayed ruins, it features the large-scale murals and small interventions of some of the most exciting international artists associated with this movement. Muralist and art activist Jens Besser uncovers these treasures and offers special insights into the emerging scene that is coloring our urban experience. Featured Artists: Roa, Remed, Klub 7, Aec & Waone (Interesni Kazki), Blu, Os Gemeos, Escif, Jens Besser, BerlinBeamBoys, Sonice Development, 3ttman, Kain Logos and many more.
272 pages, Hardcover-
The journey to mural art continues. More than 120 muralists and organizations from all over the world, from Europe to Africa, from America to Asia and Oceania, present 1000 murals and guide us to their colorful and symbolic world. The murals presented in this book are painted on public surfaces and created on huge surfaces with all kinds of techniques: from graffiti to trompe l'oeil. Artists include 3STEPS, ANGOULEME, MARCOS ANDRUCHAK, AROE, ART FA ADE, ATEM, BLUE SKY, CARAMAGNO SALVO, CITY2CITY, COLOSSAL, DK MURALISMO, DOME, FREDERIC GARCIA, HITOTZUKI, HYDER 111, LOEWENSTEIN DAVE, and SHIZENTOMOTEL.
Softcover, 17x24cm, 96 pages
Mike Giant has achieved fame as a graffiti artist, illustrator and tattooist. Black ink is Giant's specialty and whether his medium is concrete, paper or skin his signature style - made up of equal parts Mexican folk art and Japanese illustration - is unmistakable. All over the world his style is renowned and followed. Latin and Hispanic culture play a major role in the execution of his silhouettes, which often resemble buxom pin-up femme fatale's and assorted other voluptuous characters, often with skulls and animal tentacles (for good measure). Be them shapely graceful figures or flashy femme fatale's from various era's and cultures, Mike Giant's characters from every opoque guarantee a stellar viewing experience. Muerte is the jewel in the crown of the 36 Chambers series.
256 Pages, full color, hardcover: In their second volume, Modart coins a new term, “Moussism” to describe a post-everything era in the arts. According to the editors, Moussism is a non-traditional community based movement, which is not limited to a period, place or classical notion of aesthetics, discipline, medium, ideology or style.
256 pages, hardcover- Forget Art: In Order to Feel it - The Best of Modart Magazine is a must have for those trying to come to grips with the street art phenomenon, and the artists and players who shaped it and eventually outgrew the term as it began to stick. In these 256 pages, Modart editors showcase some of the most compelling aesthetics, actions and events from the first decade of the new millennium, featuring now iconic images, passionate writing and a veritable fount of great new art from around the world. From the beginning, the magazine focused on action, movement and the relevance of art and imagination during a period where no authority seemed there to distill what was happening
176 pages, paperback- At last, the most comprehensive book on London's street art yet published. Following hot on the heels of Prestel's hugely successful London Street Art and London Street Art 2 this volume brings together the very best images from those two books, together with over 80% completely new and stunning material photographed in London right up to the moment of printing in 2009. Home to arguably today's most famous street artist, Banksy, London's al fresco visual culture is vibrant and constantly changing - provocative street art images past and present reflect the creativity of a leading design capital. Through pictures by acclaimed photographer Alex MacNaughton this volume covers all materials and methods, from stencil graffiti, to spray paint and trompe-l'oeil, as well as highlighting the work of the major street artists themselves.
96 pages, hardcover- Photojournalist Alex MacNaughton continues to traverse London's streets looking for the best graffiti. His first collection of photographs was eagerly snatched up by graffiti enthusiasts. Now featuring 150 new images, his latest book is full of color and life. Political, funny, angry, or just plain weird; in stencil or spray paint, the images here present a London simmering with artistic passion. The book opens with a map of MacNaughton's travels in London, detailing his quest for the perfect piece of street art. Following are page after page of riotous color photographs, bearing witness to the skill and talent possessed by the artists who practice it. This great looking, affordable volume provides a lasting record of this most fleeting of art forms.
I'M IN MIAMI BITCH! is a full color 6x9" 216 page soft-cover art book the candidly captures the street art scene in the Wynwood area of Miami. This photo-journal was exclusively photographed by Andrew Kaufman. The foreward is by Kenny Scharf and a Q&A with BOOKSIIII BISCHOF.
In the fall of 2012 with Art Basel Miami Beach quickly approaching I decided to ensconce myself in the street art scene of Wynwood to tell the story. An area once known as “El Barrio” and now gentrified into the Wynwood Art District, every year in late November artists from around the world descend on the streets of Wynwood to remake the facade of almost every building, overhead door and nook or cranny where paint could be applied.
Artists included: CITE, CZRPRZ, HEIST, CRAOLA-DABS-MYLA-WITNES, BOBO, KING SLOTZ, PANEK, RATHS UP, PINKO, JAM 104, AUBS, EWOK, PIA, 2 SQUARE, SECRET, ISHMAEL, KENTON PARKER, ART CREAM TRUCK, CYST, FUMEROISM, POSE-MSK, CHANEY, PRESSA HALL, LAWS CREW, MOLLY ROSE FREEMAN, SOLO RM, ZIMER, PATCH WHISKEY, GLORIA MURIEL, NEMEL, SINTEX, ATOMIK, PHAME, SP1, TUBS, JUNK, TRAGEK, SAKIROO, MIG, RIDLE, RUBY, ENX, MAGEK, PEZ, GOREY, 131, LA PANDILLA, SERUM, GRABSTER, SINER, D.A.D.E., SEWR, EPHEMERON, CONE, FUNKADELIQCLIQUE, 33THIRD, FUBAR, FLORA, POGO, SAMUEL MARK ART, FEW AND FAR, CHARLIE BROWN, FLIK, EL KENOR, KENNY SCHARF, MARMER, BLINK, KAS, SLIP1, CHANOIR, XUPET NEGRE, TOREK, AMOS, CEPLSCREAM & DAZE, WERE IN MIAMI BITCH!
128 pages, softcover- Over the past few years, street art has been enjoying an international boom. This book captures its development in New York City during that time. Seven years of first hand experience with the successes and failures of this unlawful occupation has given the author/photographer a personal and respectful connection to the subject. Evidence of that connection- and a visible passion for New York, comes through in the photographs. I NY acknowledges the significance of the beginner and the dabbler as well as the more recognized and committed artist.
160 pages, full color, hardcover
Stelios Faitakis masterfully depicts modern subjects in a style reminiscent of iconic paintings of the Middle Ages. The young Greek artist´s perspectives are unsettling, his content provocative. Featuring the intensive use of the color gold and halos that has become his trademark, Faitakis´s powerful images take installation to a new level that shows how criticism of current social conditions can be combined with timeless spiritual intensity in innovative ways.
128 pages, hardcover- Graffiti artists in Paris, much like in New York and Los Angeles, have transformed urban spaces (sidewalks, metro stations, staircases, abandoned buildings) into showrooms that exhibit their work in all of its many mediums, from a proliferation of stickers to cleverly applied stencils to giant murals. In Graffiti Paris, Fabienne takes readers on a tour of Paris's street art, and also discusses the variety of unique sources that inspire the artists, including the cave paintings at Lascaux, nineteenth-century Japanese blockprints, and comics.
Softcover, 17x24cm, 440 pages
The new edition of From Style Writing to Art takes one of DRAGO’s most popular titles and adds a new and improved cover and an entirely new section with 16 extra pages dedicated to the street-art scene in China.
72 pages, hardcover.These images represent the European cities of Palermo, Istanbul, Budapest, Paris and Berlin through their surface markings. In five sequences of closely related photographs Sinclair takes characteristic features of the urban landscape - the park, the subway station, the street, the cemetery and the bridge - to explore the interaction between a city and its citizens as recorded in graffiti. Yet the visible effects of weather and the passage of time acknowledge the ultimate ephemerality of this human activity, lending the images an elegiac quality and their subject the aspect of a natural process. In this, the second in a trilogy of books to examine the surfaces of European cities, we are invited to look at graffiti anew: not as aggressive intrusions, but rather as part of an ongoing, collaborative transformation of the modern city.
128 pages, Paperback- London based artist Dave the Chimp was one of the first street artists who went outside to paint with brushes and acrylic paint. Since 1996 Dave has been extremely prolific in the streets and galleries and has channeled his talent and passion for skating toward designing skateboards for German Skateboard label Hessenmob.
His original style and bold black lines, all hand painted, are humorous, often incorporating lighthearted social commentary. He has painted public service announcements against smoking, “get out the vote” posters, and is often referred to as a “positive” graffiti artist who is just trying to bring a smile to his neighbor’s faces and some beauty to his run down neighborhood.
However humble his aspirations, Dave the Chimp has managed to have an impact around the world with his art. Included is an interview with the artist and many examples of his fine work on walls as well as graphic projects.
Dave the Chimp is the second publication in the Part of Rebellion Series, monographs focusing on artists from the groundbreaking Art of Rebellion and Art of Rebellion 2 first published in 2004.
128 pages, hardcover- The work of the world’s top street artists on the Israeli-Palestinian separation barrier. Banksy was the first, but far from the only, international street artist to work on the separation barrier. Concrete Messages makes pieces and powerful messages from artists like Banksy, Swoon, JR, Faile, Blu and Ron English available to a wide audience. By combining pictures with interviews, Concrete Messages shows more of well-known local and international street artists than just their work.
116 pages, softcover- The Concrete and me 2, is a bilingual (Hungarian and English) book presenting a fine/street art subculture that is trying to find new ways by experimenting with media and techniques inspired by the urban scenery within and beyond the city bounds. The book is a result of an international collaboration and features artworks from 12 countries of Europe. 108(IT), CKE(SK), FIONA(D), ANED(H), APL315(UKR), BLEZE(RU/CZ), MOSD(CZ), BUDE(H), D.Y.O CREW (IT), ELLA(PL), EREMITERNA DUO(FIN/ SWE), FRANKY(FIN), HOMER(UKR), HONET(FR), HOTSHOT(H), IOKE42(SLO), IP CREW(H), JOE83(PL), MASKER(CZ), OILERS GANG(RO), U.T. CREW(D)
128 pages- Blek Le Rat has been filling the streets of Paris with stencils since the early 80's. He has inspierd a whole generation of European Street artists, Banksy is only one of many who has adopted Blek Le Rats direct approach and layout. The book contains an exellent introduction written by King Adz. A true must-have!
96 pages, hardcover- Over the past few years there has been a resurgence of interest in street art as a genre of artistic expression. Photographer Sven Zimmerman has been at the forefront of this renaissance, surveying the streets, sidewalks, and facades of his home town for the most arresting, humorous, politically savvy, angry, and just plain outrageous examples of street art. In with a fresh eye and to pay attention to images we might otherwise fail to notice. Similar in layout and design to the first collection, and graced with the same vibrant color and impeccable composition, Berlin Street Art 2 offers further compelling proof that the urban landscape is teeming with artistic masterpieces, if you just know how and where to find them.
Beauty in Decay features the best in full-color, panoramic photographs from urban exploration ''” or Urbex ''” around the world. Overgrown industrial complexes, disused lunatic asylums, abandoned palaces and forgotten monasteries are showcased, and paired with clear-sighted, poetic text.
192 pages, Hardcover, 10 1/4'' x 10 1/4'' (260 x 260 mm)
200 illustrations, English
104 pages- Home Sweet Home is a celebration of Banksy's street art in his home city of Bristol. This book places him in the context of 3D, John Nation from the Barton Hill Settlement, Inkie, Nick Walker and the other artists and musicians who were instrumental in linking Bristol to the original New York hip hop scene. It is the most revealing account of Banksy's formative years and contains more than one hundred images of his Bristol art, as well as pictures of Banksy at work, many of which have never been published before. Steve Wright, Venue magazine's Art Editor, traces Banksy's roots back to the rave culture of the Nineties and draws a rounded picture of an artist who is most famous for being anonymous.
240 pages, softcover- Artistic genius, political activist, painter and decorator, mythic legend or notorious graffiti artist? The work of Banksy is unmistakable, except may be when it's squatting in the Tate or New York's Metropolitan Museum. Banksy is responsible for decorating the streets, walls, bridges and zoos of towns and cites throughout the world. Witty and subversive, his stencils show monkeys with weapons of mass destruction, policeman with smiley faces, rats with drills, and umbrellas. If you look hard enough you'll find your own. His statements, incitements, ironies and epigrams are by turns intelligent and cheeky comments on everything from the monarchy and capitalism to the war in Iraq and farm animals. His identity remains unknown, but his work is prolific. And now for the first time, he's putting together the best of his work - old and new in a fully illustrated colour volume.
The single best collection of photographs of Banksy's street work. Period. BANKSY - You Are An Acceptable Level of Threat concentrates on this singular artist's iconic imagery, spanning the late '90s up until the end of 2011.
The locations are from around the world (predominantly the UK, US and Europe), and many images have never been seen before. When Banksy started out painting, the political landscape was bleak. Fortunately now, it's ten times worse.
As Banksy's cheerfully aggressive political work becomes ever more relevant, this comprehensive tome sets about presenting his art in the context of the era he was responding to.
Simply opening these covers commits you to being dazzled by 100 of the UK’s top “writers” and street artists, immersing yourself in the styles, past and present, which make UK street art great. Upon its arrival in the UK from New York in the 1980s, graffiti rapidly spread across the island, infecting the youth like a stylistic virus. Out of the early days came names that would become part of UK writing legend, such as Mode2, Zaki Dee 163, Choci Roc, Goldie, and Robbo. Alongside works by these pioneers, we sweep across the whole of the UK, taking in Scotland and Wales, running through the nineties and right up to the modern day when more advanced, technical graffiti, wheat pasting, and stenciling are the new media on the street. This collection includes works by Aroe, Skore, Xens and Kem, Mef, and more. Guiding us through this review is Steam 156, who was there at the start and is still as passionate as ever. This is a must-have collection for graffiti writers and fans around the world.
Size: 11 3/4″ x 9″ | 810 illustrations | 224 p
pISBN13: 9780764341960 | Binding: hard cover
Published by Gingko Press