Boulevard – On Trespassing and Culture is an international, English art magazine that covers the past and present discourse of street and urban art.
The magazine considers itself an addition to other already existing magazines and publications with the purpose of presenting its content across respective country borders to a wider audience.
Superordinate topics structure each issue and offer an interesting context. The focus themes are the theory (Reprint), photography, portraits of artists (Cases), and current reviews and news (Talk). The team behind the project (Thomas Lauterberg, Dr. phil. Harald Hinz and Robert Kaltenhäuser) are a guarantee for extremely high-quality articles.USD$13.95
This book it has its direct origin on an international call for papers, issued by Pedro Costa and Paula Guerra, which aimed to give body to a publication on the thematic of creative milieus and cultural scenes in contemporary urban spaces. The organizers of that publication were surprised by the great quality and interest of the proposals for papers which were presented, even if many of them were not focused specifically and directly on the “creative milieus” and “urban scenes” approach they were looking for. Interestingly, many of the papers raised the issue of the relation between urban interventions (particularly street art approaches) and public space. That was so stimulating that the authors, drawing also upon previous work on that area, decided to give birth to another project, complementary to the edition of the original idea of book, which would be specifically focused on issues of urban interventions, street art and public space. For that, they joined Pedro Soares Neves, which have been working for years in the field of street art and urban interventions, is executive director of Urbancreativity international research topic on Graffiti, Street Art and Urban Creativity. The diversity of contributions put together in this book acknowledges the variety of debates and perspectives that mark contemporary discussions on the relation between art and public space, with particular reference to the case of graffiti and street art, which attracted most of the contributors that came from various disciplines and backgrounds.
- Paperback: 174 pages
- Publisher: Pedro Soares Neves (February 1, 2017)
- Language: English
- ISBN-10: 9899771260
- ISBN-13: 978-9899771260
- Product Dimensions: 8 x 0.4 x 10 inches
- Hardcover: 392 pages
- Publisher: Harry N. Abrams; 2 edition (Sept. 1 2009)
- Language: English
- Product Dimensions: 23.2 x 3.8 x 24.1 cm
Another Classic by the Legendary Martha Cooper.
“Many of the images are today iconic masterpieces. . . . One of the most influential art books of its time.” —The Big Issue
In 1984 the groundbreaking Subway Art brought graffiti to the world, presenting stunning photographic documentation of the burgeoning movement in New York. Thirty years later, this bible of street art has been updated with over seventy photographs not included in the original edition and new insights on an incredibly rich period for urban art and its legacy.
In new introductions, authors Martha Cooper and Henry Chalfant recall how they gained entry into the New York City graffiti community in the 1970s and 1980s. New afterwords continue the story, tracing the decline of the subway and graffiti scene in the late 1980s to its unexpected rebirth as a global art movement. The authors reveal how the lives of the original subway artists have unfolded and mourn the loss of several to the darker forces of the street.
Morley is a Los Angeles-based street artist that specializes in bold, typographic posters which he wheat pastes within the urban landscape. Blending humor, hope and his unique perspective on life, Morley's aim is to act as a friendly voice amongst the cacophony of billboarded messages and corporate slogans. This voice was given a face when he began including an image of himself in each of his pieces, looking to create a more intimate relationship between the artist and the audience than many of his anonymous contemporaries could allow. In 2011, Morley's work caught the eye of Steve Lazarides whose Outsiders imprint began selling his work, describing it thusly: "His sympathetic statements give the tirelessly aspirational residents a welcome reminder of what's important in life: love, simple pleasures, making the world a slightly better place and not hating on yourself too much." Today, he continues to paste his work in any city that doesn't enforce their vandalism laws through caning. Also he made us promise to include the fact that he can hold his breath for over an hour, and that if anyone challenged him to a breath holding contest, they would totally lose - but he was probably lying about that.
- Hardcover: 224 pages
- Publisher: Cameron Books; First Edition edition (April 15, 2014)
- Language: English
- ISBN-10: 1937359581
- ISBN-13: 978-1937359584
- Product Dimensions: 8.9 x 1 x 11.4 inches
“Jon and I share a love for street culture where creativity, life, pride, chaos are banded together. This book is a tribute to hip-hop, to street culture, art, soul and to the precious moments of life that we share.” –Maï Lucas The pulsating monochrome of Drago’s 36 chambers series is met by the iconic graffiti and photography that defines Maï, Jonone and streets of New York. Their eclectic tour of the streets takes the reader through some of New York’s most distinctive neighbourhoods as seen as seen through the lens of celebrated photographer, Maï Lucas. Meanwhile, JonOne’s unique graffiti writing permeates the pages with vibrant red accents. JonOne’s paintings defy the “rules” of graffiti. With a tremendous sense of movement and color, his compositions combine freestyle, hand-painted aesthetics with a sense of repetition akin to textile patterns. His work has often been compared to that of abstract expressionist Jackson Pollock and French artist Jean Dubuffet. By layering precise strokes and vibrant color, he creates a uniquely balanced yet dynamic visual experience.
Softcover - 96 pages
Welcome to the Museum of Street Art (MoSA). Not within these pages, but while walking the streets, there is a chance you have been here before. The MoSA concept is intuitive, but you might not have noticed it unless you were looking for it.
A MoSA is a phenomenom that occurs when there is a high concentration of both art and local stakeholder support in a particular outdoor area. This combination creates living, breathing outdoor museums in our cities. Entry is free and daily exhibits are managed by the residents, landlords, local government, visitors, and mother nature. These stakeholders alter the exhibition every day with their competing opinions and priorities, which in turn creates one of the most dynamic and meritocratic museums in the world. MoSA explores this concept by photographing these museums in their entirety on one particular day, as a record and snapshot in time.
MoSA locations can be found in dozens of cities around the world, but in this edition, we explore the East Village in New York City on June 23, 2017. The East Village has a long history of supporting the arts and showcases a variety of mediums by a host of local and global artists. Read on to see exactly how we captured the exhibit.
All photographs were shot sequentially in 14 hours starting at 12 AM midnight on June 23, 2017. The area of interest covers 430 acres known as the East Village, located in Manhattan, New York. Its boundaries from West to East are from Bowery/4th Ave. to East River Park. Its boundaries North to South are from 14th St. to Houston St. The editor systematically canvassed this area by bicycle to capture each piece of art. "The Streets" began at Bowery and Houston and were traversed Northward in ascending order from Houston to 14th St. "The Avenues" began on Avenue D and Houston and were traversed Westward from Avenue D to Bowery/4th Ave.
LET HER BE FREE is the first collection of their art and covers nearly a decade of their career with more than 200 full colour pictures. Starting in 2006 the book offers a retrospective of their art in their early Iranian years and follows the brothers to New York City and depicts their work all over the world. With a special introduction by Jess X Chen and an afterword by Jaime Rojo and Steven P. Harrington, founders of Brooklyn Street Art.
"In the footsteps of Banksy, Icy and Sot have quickly earned their street credits. The brothers, have developed an international visual language to complete their path toward freedom in their own distinct way." -- HUGO KAAGMAN, Dutch Street Art Pioneer
"It is great that the medium of stencil art has grown to be adopted by so many artists around the world. These guys have a great eye for placement in the streets and always have something important to say with their work." -- Adam Neate, UK-based Street Artist
"These wise brothers call attention to a gaping gash in the side of humanity. Slowly stitching together torn fragments of human stories, Icy and Sot gives awareness to the flaws of our political systems and the way that impacts individual lives." -- Faith47, South African Street Artist.
- Paperback: 240 pages
- Publisher: Lebowski Publishers (June 1, 2016)
- Language: English
- ISBN-10: 9048828015
- ISBN-13: 978-9048828012
- Product Dimensions: 8.2 x 1 x 10.2 inches
NYC has been and continues to be a beacon for artists, who both feed off and contribute to the City’s energy. This is Luna Park’s love letter to the City and the artists who continue to aspire and inspire.
For the last ten years city librarian Katherine 'Luna Park' Lorimer has been cataloging the art to be found on NYC streets. She quickly learned that for those that pay attention, the street can provide as much of an arts education as a museum. Ever since the City banished graffiti from the subway trains, it's streets have developed into a vast playground for a complex culture, made up of distinct communities, each with their own hierarchies, values and sets of rules. This book is the culmination of a decade of obsessively keeping up with NYC graffiti and street art, a time period which saw a seismic shift in the public perception and acceptance of the artform. The public space within which artists operate is fluid and new boundaries are being pushed every day. The streets are teeming with a vast spectrum of (un)sanctioned art, running the gamut from quick, illegal handstyles to full-blown production murals.
• Comprehensively documents 10 years in the explosion of creativity to be found on NY’s streets
• Covers the best of street art, graffiti and intervention
• Compiled by respected NY librarian and social documentarian Katherine 'Luna Park' Lorimer
Martha Cooper has the reputation of beeing the first and foremost photographer of emering Hip Hop culture in New York City. Her book, HIP HOP FILES - Photographs 1979-1984, makes a significant part of her extensive and unique archive accessible for the first time. The book documents the beginning of the phenomenon, now known as Hip Hop. The publication of many of her photos in the early ´80s, disseminated the culture both at home and abroad.
Along with the photos are quotes and statements from the people appearing in them.
The book celebrates its 10th birthday in 2014 and was published in three different languages: german, english and french.
The book includes a thoughtful introduction by ZEPHYR as well as essays by CHARLIE AHEARN; PATTI ASTOR and POPMASTER FABEL, participants in the early Hip Hop scene.
The art of urban calligraphy, an avalanche of visual poetry and poetic visuals, now in vivid full color. Meulman's iconic new art form, Calligraffiti, has attracted followers within graphic design, architecture, typography, advertising, calligraphy and graffiti. Sharing an interest in the visual arts and an appreciation for print, they understand that a word is an image. Here Meulman expands his ever-evolving artistic territory to include wild paintings and fine art.
It is impossible to tell the story of street dance without telling in the stories of people.
And ‘Crash Kid: A Hip-Hop Legacy,’ is the book which tells the story of street dance by telling the story of its kids; the story of one kid in particular.
‘Crash Kid,’ Massimo Colonna, was a young man who became synonymous with the breakdance movement and all aspects of the inauguration of American street culture into the lives of young Romans. This was the kid who was a master at that pivotal move of the genre, the head spin, and who with that move became one of the most pivotal players in this scene.
The city of Rome had never seen anything like this. A form of dance where the dancehalls were the streets, a form which was so underground, that it was almost a dark art. And yet it was Massimo’s dedication towards the form which was making this art form the new way to party. And it was through an organic and exponential growth of the party, that this new form of dance and culture was beginning to thrive.
To make its way towards the mainstream. ‘Crash Kid: A Hip-Hop Legacy,’ is a book which brings it all together. A book which is about the street, the party, the dance, the lives of one special kid in particular, who circa 1980, was inaugurating this new form of dance into the street culture of Rome. And this exponential growth of a genre is seen across more than 400 images of the party and the dance scene, at this particular time in history.
Massimo and his friends used breakdance and street art as a way of breaking a symphony into parts, out over the city streets. The ‘Zulu’ parties, the ‘Bambaataa’ parties, the ‘Fast Breaking Crew,’ of Rome. Massimo, always there, a kid who was an oxymoron to his own name, for he did not crash, was famous for not crashing, but for staying perfectly balanced on his head. And spinning on and on.
The book proves that when you try to piece together the story of Roman breakdance, you discover that what you are in fact piecing together are the lives of all those kids who were dancing and breaking on the streets of Rome around the time, during the mid-1980s. And these are the kids who remember Massimo, many of them now key figures themselves in the Roman and Hip-Hop scene.
We learn about who Massimo was through the stories of key players such as MC Shark, Amir Issaa and the joint creators of the book itself, Ben Matundu and Napal. Massimo and his friends used breakdance and street art as a way of breaking a symphony over the city streets.
Hardcover - 328 pages
Painted murals first appeared in Latin America in the early 20th century; in the 1950s, spray-can graffiti associated with Latino gangs followed, notably the “cholo” graffiti of Los Angeles. Today, street art has traveled to nearly every corner of the globe, evolving into a highly complex and ornate art form. The World Atlas of Street Art and Graffiti is the definitive survey of international street art, focusing on the world’s most influential urban artists and artworks. Since the lives and works of urban artists are inextricably linked to specific streets and places, this beautifully illustrated volume features specially commissioned “city artworks” that provide an intimate understanding of these metropolitan landscapes.
Organized geographically by country and city, more than 100 of today’s most important street artists―including Espo in New York, Shepard Fairey in Los Angeles, Os Gêmeos in Brazil, and Anthony Lister in Australia―are profiled alongside key examples of their work. The evolution of street art and graffiti within each region is also chronicled, providing essential historical context. With contributions by the foremost authorities on street art and graffiti, this landmark publication provides a nuanced understanding of a widespread contemporary art practice. The World Atlas of Street Art and Graffitiemphasizes urban art’s powerful commitment to a spontaneous creativity that is inherently connected to the architecture of the metropolis.
Artivism, is becoming a common way of denouncing conflicts, of being a megaphone of the unfairness, demanding more public space or pushing political agendas; in short, to highlight what does not work well. Artivists use art as a weapon of public and social exigency charged with particular doses of shrewdness, inventiveness, imagination, sense of humour and, above all, social impact, either throughout impressive pieces or the most subtle and invisible actions. Navigating through the curiosity, emotion and concern of the new artivists; We walk the paths of a creativity committed to reflection, criticism and the eternal pursuit of social justice.
On the walls of alleys and abandoned buildings, on chain link fences and trash cans, on utility and traffic signal boxes – this is global street art, as photographed by Lou Chamberlin. The images jump off the streets and into the pages of Lou's book, as her photographs document the walls making waves in cities from London to Berlin, Sydney to Lodz, Dublin to Rio, and Tokyo to New York.
This is an important new sourcebook for street artists, revealing not just the latest, exciting art happening around the globe, but also the collaborations and communities supporting the movement.
Lost or forgotten were the walls that now proudly carry the messages of calligraffiti artist eL Seed. "Lost Walls", his first book, beautifully and poetically documents these walls, handpicked during his road trip around Tunisia. "Lost Walls" is a calligraffiti journey of discovery for eL Seed, who chronicles the painting of 24 walls in four weeks. Inspired by the reaction to his largest project to date, the minaret of the Jara mosque in his ancestral home of Gabes, eL Seed decided to set out on this month-long personal journey across his motherland, painting "lost" walls along the way. This book provides unique and rare insight into the world of calligraffiti and the Tunisian people.
It includes pictures taken over the past four years, as well as others of which some were unpublished till now.
Alex Fakso has established himself as a street photographer and today is internationally known, both for commissioned work and also his solo exhibition, thanks to his untiring ability to experiment and always be a step ahead.
- Hardcover: 72 pages
- Language: English
- Product Dimensions: 21.6 x 3.8 x 30.5 cm
The new monograph by the California born and Berlin-based visual artist Tavar Zawacki (aka ABOVE), and the first under his real name, Metamorphosis showcases the past three years of his creative output, from his seminal 2014 “Remix” exhibition in Detroit at Inner State Gallery to his latest and most ambitious show at Urban Spree Galerie in September 2017. One of the pioneers of the street art scene in Paris at the birth of the millennium, he took the world by storm with his iconic ABOVE arrow icon, painting in over 100 different cities spanning 50 countries across the globe. Metamorphosis chronicles the latest steps in his transformation as he focuses on his indoor studio practice, creating a new dialogue with his distinctly vibrant color palette and hard edged linework.
226 pages, hardcover- 13 graffiti writers, 2 years, 600 unpublished Polaroids. Like Lipstick Traces shows the everyday life of 13 graffiti writers. Consciously, and therefore in contrast with usual graffiti publications, it uses the peculiar medium of Polaroid. A Polaroid camera and about one hundred Polaroid photos was sent to well known graffiti writers of different nationalities. The task was to shoot their everyday life with complete freedom in the choice of the motifs. It is that freedom which makes this book so special, but also the fact that all these unpublished photos were taken especially for the book. In the beginning of the 21st century, graffiti seems to be taking a line which is totally against its original motivation. On one hand, this might be caused by more severe penalties, on the other it is due to the increasing incorporation of the media and big business. Thus, the artists presented in this book devote themselves to this art in a committed way. They do not succumb to commercial pressure and they bring new life into the graffiti movement. Artists featured are AROE (UK), C.B.S (DE), DUMBO (IT), HONET (FR), KEGR (DK), O CLOCK (FR), OS CURURUS (BR), RATE (USA), REMIO (NOR), ROCKY (ES), SCAN (CA), SMASH (CH), THE E.R.S (BE).
BLADE has already told his life story through graffiti. Now, more than forty years into his career and armed with an incredible memory, BLADE sits down with Chris Pape to reflect on growing up in the Bronx in the turbulent 1970s, and recounts the highs and lows of his storied career, holding nothing back. BLADE is considered “The King of Graffiti” because, by 1980, after painting 5,000 wildly creative trains, he stopped counting. This book parallels the New York graffiti movement almost from its inception, moving through its glory years in the mid-1970s, when BLADE earned his title, and ending in the global art scene, where he remains a major presence. BLADE helped New York graffiti become internationally famous by making it look fun, and, for reasons of quantity, quality, and, perhaps above all, for sheer spirit, BLADE may very well be the most popular graffiti artist with his peers. Size: 8 1/2″ x 11″ | 653 images | 256 pp ISBN13: 9780764346613 | Binding: hard cover
The first survey on contemporary calligraphic practices in Chinese public spaces. This photographic essay traces the roots of this hand writing phenomenon and its development in Chinese society and analyses in detail the do-it-yourself writing tools specially designed for street lettering Thousands of anonymous street calligraphers operate daily in Chinese parks and streets. The endlessly tracing texts composed of «hanzi» signs slowly disappear as water evaporates. This phenomenon, called «dishu» (earth writing or practicing ephemeral calligraphy on the ground using clear water as ink), appeared in the beginning of the 1990s in a north Beijing park and soon spread to most major Chinese cities. Based on classic Chinese literature, poetry or aphorisms, these monumental letterings, ranging from static and regular to highly cursive styles, make the whole body break into spontaneous dance and infinite formal renewals. This street calligraphic practice corresponds to both a socializing need and an individual search for self accomplishment or improvement. «Dishu: Ground Calligraphy in China» is the first survey on contemporary calligraphic practices in Chinese public spaces, documented during the summer of 2011 in Beijing, Shanghai and Shenyang. It takes the form of a major pho- tographic essay, which traces the roots of this hand writing phenomenon and its development in Chinese society, analyses in detail the do-it-yourself writing tools specially designed for street lettering and explores its possible transposition into other writing cultures. 320 pages
Meet 20 of the most creative, original street artists from around the world—including Banksy. Art has moved from the museum into the streets, with visionary artists using their creativity to convert the spaces of everyday life and, often, to address social and political issues. Journalist Alessandra Mattanza interviews 20 of the most renowned figures in the street-art scene, from painters to sculptors to stencilists, who reveal their stories and their inspiration. The international roster includes: Aryz, from Barcelona, Spain, who creates elaborate murals on buildings and trucks; São Paulo graffiti artist Nunca (Francisco Rodrigues da Silva), who began painting at 12 years old; Shepard Fairey, renowned for his poster of President Obama; EVOL, from Berlin, who specializes in producing miniature buildings and installations; Fauxreel, whose photography-based work explores themes of homelessness; and Swoon, who combines art with social action through her nonprofit. Chris Versteeg, an expert in graphic design, provides a detailed historical introduction to this popular, omnipresent form of contemporary art.
On this winding “Door Tour,” hitting every stop from hip Williamsburg to elegant Sutton Place, the soul of New York City is revealed through this most unlikely medium. The remarkable row house doors, warehouse gates, extravagant entryways, and even construction sites documented here represent the people, culture, and attitude of the “City that Never Sleeps.” From welcoming to ominous, brazen to bleak, astonishing portals can be found in quiet neighborhoods in Queens, graveyards in the Bronx, and small stores in Manhattan. More classically beautiful doors adorn the homes of some of the wealthiest and most powerful people in America. Gorgeous entrances to hotel lobbies lure you into luxurious interiors. In Brooklyn, graffiti artists turn industrial zones into studios, doors into canvases. Allan Markman opens the door to a visual jam session of urban architecture, but you must walk through it yourself.
Size: 11″ x 8 1/2″ | 341 color photos | 176 pp
ISBN13: 9780764344916 | Binding: hard cover
This beautifully designed book showcases the work of nine pairs of New York City’s finest graffiti and street artists, delving deep into their backgrounds, techniques, and collaborative processes. Each duo consists of artists with unique styles who come together to create a larger-than-life work of street art in a neighborhood in New York, the birthplace of modern graffiti. Witness the immense creative potential of collaborations that have produced stunning examples of classic graffiti, collage work, screen printing, and murals. Each chapter provides access to a mysterious underworld, leading readers to secretive meetings of creative minds out of which ephemeral, yet nonetheless remarkable, works are born and later transferred onto walls, rooftops, trucks, and subway platforms. The combination of revealing interviews and colorful action photography produces a narrative arc of relationships—formed between individuals from diverse backgrounds and creative upbringings—that follows the artistic process from creative spark to collaborative masterpiece.
Memories of Dismaland is my extensive full color photo diary of the amazing temporary pop up theme park erected by Banksy and 58 other artists set up in the seaside resort town of Weston-super-Mare in Somerset, England. Prepared in secret under the guise of constructing a movie set for a Hollywood film company filming a crime thriller called “Grey Fox”, the pop-up exhibition at the Tropicana, a disused lido, was clearly a sinister twist on Disneyland, although Banksy denied any relationship to Disney and actually banned Disney associates from the park that opened during the weekend of 21 August 2015, ran 36 days and closed permanently on 27 September 2015.
Craig Costello, aka KR, grew up in Queens, New York, where graffiti was part of the landscape and a symbol of the city. While living in San Francisco, he quickly garnered attention when his signature "KR" tag popped up throughout the city. As he became one of the more prominent figures on the streets on NYC and San Francisco, he began to hone his craft by creating better tools launching his own line of homemade markers and mops, combining his moniker KR with the word INK. In KRINK: GRAFFITI, ART, AND INVENTION, Costello has compiled a visual memoir: from his early days of the '80s and '90s and launch with the hip New York City retailer Alife, which put his brand on the map, to his evolution as an artist and high-fashion collaborator.
The book showcases Costello's seminal style and his extensive body of work, including site specific installations around the world. It also chronicles his myriad collaborations with Alife, Nike, Coach, Moncler, Modernica, Marc Jacobs, Levi Strauss & Co., Mini (BMW), Casio, Smith Optics, Carhartt, Kidrobot, Medicom Toy, agnès b., and Colette, among many others. Today, Costello's reach and influence goes far beyond urban street culture. Krink has grown exponentially into a global artist materials brand with expanding collections of apparel, tools, and accessories, while Costello's unique aesthetic can be seen on objects from sneakers to luxury goods to cars.
KRINK is both stylish and informative, capturing the ethos of punk and hip-hop culture, and is sure to appeal to the fans of high/low cultural crossovers, as well as die-hard fans of street art and fashion.
- Hardcover: 240 pages
- Language: English
- Product Dimensions: 9.3 x 1 x 12.3 inches
Signs of Our Times: From Calligraphy to Calligraffiti covers six decades of an art trend led by artists from the Arab world and Iran. Starting in the early 1950s, this alternative and original approach to modernism began with artists who took inspiration from their own cultural sources and combined them with international aesthetics and concepts. This publication considers the work of 50 key artists, ranging from important pioneers of the calligraphic movement to those who use the written word in their work today.
- Hardcover: 320 pages
- Language: English
- Product Dimensions: 23.5 x 3.2 x 27.9 cm
The first major, in-depth retrospective monograph on JR, the enigmatic and anonymous Parisian photographer, artist and activist behind some of the world's most provocative large-scale public photography projects.
Created in close collaboration with JR, this book includes all bodies of his work, his collaborations with other artists and institutions such as the New York Ballet and previously unpublished behind-the-scenes documentation of his studios in Paris and New York, where he and his creative collaborators live and work.
Introducing JR’s story is a specially commissioned graphic novel by comic artist Joseph Remnant, which charts his phenomenal rise from his street artist roots.
Size: 290 x 250 mm (11 3/8 x 9 7/8 in)
Pages: 296 pp
Illustrations: 500 illustrations
For fifty years, graffiti and street art have been challenging conventions and stimulating debate around our perceptions of what constitutes art. As the genre enters its sixth decade, this ground-breaking book presents a new interpretation of where street art and graffiti are situated today. Introducing the concept of 'Intermural Art' - art in between the walls - Rafael Schacter presents a genre at a key moment of transition. While many street and graffiti artists are still challenging the orthodoxies of the public sphere, an increasingly large group are reshaping the field by no longer furtively entering the institution, no longer slavishly reproducing exterior works inside, but instead attempting to merge out and in to create a form that articulates graffiti, street and contemporary-art influences. Through forty profiles of the leading proponents of this new approach from around the globe, Rafael Schacter presents a compelling analysis for 'Intermural Art' while also showcasing some of the boldest work being made currently.
216 pages, hardcover- Berlin is a particularly strong magnet for international street artists and its landscape is filled with artwork and signatures that are inventing new visual codes. But the impressions that these artists leave are inevitably fleeting as their art falls victim to the city’s unrelenting development. Luckily, the book Urban Art Photography serves as a permanent documentation and time capsule of both the creation and evolution of these constantly changing images.